"Organ Book III - Volume II: Curio II (trio)" by Douglas Reed had its release date on January 1, 2001. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Organ Book III - Volume II: Curio II (trio)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Douglas Reed, Michael Udow's "In Memoriam William Albright - Albright Organ Music Vol. 1" album is number 24 out of 47. On top of that, United States appears to be the country where this track was created. Based on our statistics, Organ Book III - Volume II: Curio II (trio)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Organ Book III - Volume II: Curio II (trio) by Douglas Reed to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | A♭ Major | 1 | 4B | 196 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | A♭ Major | 1 | 4B | 196 BPM | ||
| Emily — No Prisoner Be: No. 8, A Bee I personally knew (Scherzo No. 1) | Kevin Puts, Time For Three | A♭ Major | 1 | 4B | 196 BPM | ||
| 18 Miniatures for Violin and Piano: No. 4, Grazioso (Arr. Julian Milkis) | Giya Kancheli, Polina Osetinskaya, Julian Milkis | C Major | 0 | 8B | 70 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Takemitsu: Romance | Toru Takemitsu, Kenji Miura | B♭ Major | 1 | 6B | 102 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (1) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| Lyric Suite: V. Presto delirando - Tenebroso | Alban Berg, Leonkoro Quartet | A♭ Major | 1 | 4B | 196 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | A♭ Major | 1 | 4B | 196 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Variations for Orchestra, Op. 31: Thema | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Piano Trio No. 3 in F Minor, Op. 65, B. 130: III. Poco adagio | Antonín Dvořák, Trio 258 | A♭ Major | 1 | 4B | 196 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | ||
| Vocalise, Op. 34, No.14 | Sergei Rachmaninoff, Tomás Jerez, Manuel Corbacho | F Major | 2 | 7B | 133 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Aurora Flame | Nuit | F♯ Minor | 8 | 11A | 129 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Organ Book III - Volume II: Basse de Trompette | Douglas Reed | C Major | 0 | 8B | 69 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: I. Nacht | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | F Major | 0 | 7B | 83 BPM | ||
| Liederkreis, Op. 39: No. 5, Mondnacht (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | A♭ Major | 1 | 4B | 196 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | A♭ Major | 1 | 4B | 196 BPM |