"Organ Book III - Volume II: Basse de Trompette" by Douglas Reed had its release date on January 1, 2001. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Organ Book III - Volume II: Basse de Trompette's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Douglas Reed, Michael Udow's "In Memoriam William Albright - Albright Organ Music Vol. 1" album is number 25 out of 47. On top of that, United States appears to be the country where this track was created. Organ Book III - Volume II: Basse de Trompette is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Organ Book III - Volume II: Basse de Trompette by Douglas Reed to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| String Quartet No. 6 (2001): IV. | Rudolf Kelterborn, Amaryllis Quartett | D♭ Minor | 0 | 12A | 95 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Meeelaan for Bassoon and String Quartet: II. Tango | Wynton Marsalis, Frank Morelli, Callisto Quartet | C Major | 1 | 8B | 126 BPM | ||
| Cello Sonata, FP 143: II. Cavatine. Très calme | Francis Poulenc, Jean-Guihen Queyras, Alexandre Tharaud | D♭ Major | 0 | 3B | 110 BPM | ||
| The King of Instruments (Japanese): The Sesquialtera | Douglas Reed, Sumiko Murashima, Michael Udow | B♭ Minor | 0 | 3A | 69 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Var. IV | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | D♭ Minor | 0 | 12A | 95 BPM | ||
| Debate entre la Sombra y la Hoguera | Adán Ramírez | B Major | 0 | 1B | 73 BPM | ||
| Stipendium Peccati | William Hugh Albright, Douglas Reed, Luis Ortiz, Will Richards | D Minor | 2 | 7A | 67 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| String Quartet No. 13, 3rd Movement | Antonín Dvořák, vision string quartet | D♭ Minor | 0 | 12A | 95 BPM | ||
| Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 2 | 11B | 117 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Canto Ostinato: Coda | Simeon ten Holt, Aart Bergwerff, Eric Vloeimans | B♭ Minor | 1 | 3A | 147 BPM | ||
| Someome to Watch over Me (with Catherine Milledge) | George Gershwin, Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| The King of Instruments (English): The Pedals | Douglas Reed, Michael Barone, Michael Udow | B♭ Major | 0 | 6B | 106 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | D♭ Minor | 0 | 12A | 95 BPM | ||
| Three Romances, Op. 94: No. 2, Einfach, innig | Robert Schumann, Jean Johnson, Steven Osborne | D♭ Minor | 0 | 12A | 95 BPM |