"Our Town, Act I: "Emily! Are You Still There?"" by Ned Rorem, Brendan Buckley, Margot Rood, Gil Rose had its release date on June 9, 2017. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Ned Rorem: Our Town". In this album, this song's track order is #10. The popularity of Our Town, Act I: "Emily! Are You Still There?" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Our Town, Act I: "Emily! Are You Still There?" by Ned Rorem, Brendan Buckley, Margot Rood, Gil Rose having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach, JS: Sonata for Violin & Keyboard No. 6 in G Major, BWV 1019: II. Largo | Johann Sebastian Bach, Renaud Capuçon, David Fray | E Minor | 0 | 9A | 70 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.1 in C major: Fugue | Dmitri Shostakovich, Vladimir Ashkenazy | A Minor | 0 | 8A | 92 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | D Major | 1 | 10B | 95 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
| Pierné: 6 Pièces posthumes: No. 1, Prélude sur le nom de Paul Dukas, pour son tombeau | Gabriel Pierné, Diane Andersen | C Major | 1 | 8B | 80 BPM | ||
| Winter Pages: II. The sun that brief December day | Ned Rorem, Fred Sherry, Frank Morelli, Ida Kavafian, Charles Wadsworth, Todd Palmer | C Major | 0 | 8B | 80 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| Concerto for English Horn and Orchestra: IV. Perpetual Motion | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 1 | 9B | 103 BPM | ||
| Sea-Murmurs (Arr. J. Heifetz for Cello & Piano) | Mario Castelnuovo-Tedesco, Brinton Averil Smith, Evelyn Chen | F Minor | 1 | 4A | 93 BPM | ||
| String Quartet, M. 35: I. Allegro moderato, très doux | Maurice Ravel, Quartetto Italiano | D Major | 2 | 10B | 89 BPM | ||
| Lullaby for Piano | Richard Danielpour, Stefano Greco | D Minor | 0 | 7A | 66 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Klavierstück in C Major - 1 | Anton Webern, Jean-Jacques Dünki | A Minor | 0 | 8A | 70 BPM | ||
| Seven Portraits: IV. C | Edward Picton-Turbervill | D Major | 1 | 10B | 95 BPM | ||
| Impresiones intimas: V. Secreto (Secret) | Federico Mompou, Olena Kushpler | D♭ Major | 0 | 3B | 79 BPM | ||
| 12 Nocturnes: No. 9, Sigrids Wiegenlied | Bent Sørensen, Katrine Gislinge | D Major | 1 | 10B | 95 BPM | ||
| D'un jardin clair | Lili Boulanger, Emile Naoumoff | C Minor | 0 | 5A | 71 BPM | ||
| Symphony No. 3: Passacaglia | Bournemouth Symphony Orchestra, Ned Rorem | D Minor | 1 | 7A | 111 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | D Major | 1 | 10B | 95 BPM |