George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'Hallelujah - Live' had a release date set for January 1, 1987. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 21 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, Hallelujah - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hallelujah - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave Maria | Giulio Caccini, Vladimir Vavilov, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Minor | 0 | 4A | 79 BPM | ||
| Nearer My God to Thee | Mason Lowell, André Rieu | F♯ Major | 7 | 2B | 79 BPM | ||
| Ave Maria | Franz Biebl, VOCES8 | C Major | 1 | 8B | 134 BPM | ||
| Maria durch ein Dornwald ging | Traditional, Hans-Joachim Rotzsch, Thomanerchor Leipzig | B Minor | 1 | 10A | 62 BPM | ||
| We Three Kings of Orient Are (Arr. J. Rutter) | John Henry Hopkins, The Cambridge Singers, Cambridge Orchestra, John Rutter | G Major | 1 | 9B | 82 BPM | ||
| Nun danket alle Gott - EG 321 | Johann Crüger, Rundfunkchor Berlin, Jörg Strodthoff, Simon Halsey | F♯ Major | 2 | 2B | 74 BPM | ||
| All Things Bright And Beautiful | St. Michael's Singers, David Poulter | G Major | 2 | 9B | 104 BPM | ||
| All Creatures of Our God and King (Lasst Uns Erfreuen) | Ralph Vaughan Williams, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Major | 1 | 5B | 116 BPM | ||
| Sanctus from Requiem | Gabriel Fauré, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra | E♭ Major | 0 | 5B | 121 BPM | ||
| Vesperae solennes de confessore, K. 339: Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM | ||
| Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth | George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 4 | 10B | 109 BPM | ||
| Rise up, shepherd, and follow (Arr. J. Rutter) | Traditional, Russell Braun, Toronto Mendelssohn Choir, John Rutter | E♭ Major | 1 | 5B | 124 BPM | ||
| Messe solennelle de Ste. Cécile CG 56: Sanctus | Charles Gounod, Jessye Norman, Ambrosian Singers, Royal Philharmonic Orchestra, Alexander Gibson | F Major | 1 | 7B | 77 BPM | ||
| Es ist ein Ros’ entsprungen | Michael Praetorius, The King's Singers | B♭ Minor | 0 | 3A | 87 BPM | ||
| Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Paavo Järvi, Philippe Jaroussky, Orchestre de Paris | B♭ Major | 0 | 6B | 129 BPM | ||
| The Lord Is My Shepherd | John Rutter, Quentin Poole, The Cambridge Singers, City of London Sinfonia | D Minor | 0 | 7A | 97 BPM | ||
| Christus: III. Choral "Es wird ein Stern aus Jacob aufgehn" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Major | 2 | 11B | 76 BPM | ||
| Messiah, HWV 56 / Pt. 2: But Thou Didst Not Leave His Soul In Hell | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Philip Langridge | A Major | 3 | 11B | 73 BPM | ||
| I Vow to Thee My Country | The Oxford Trinity Choir | C Major | 2 | 8B | 68 BPM | ||
| Candlelight Carol | John Rutter, City of London Sinfonia, The Cambridge Singers | F♯ Major | 1 | 2B | 75 BPM | ||
| Once in Royal David's City | King's College Choir | G Major | 1 | 9B | 75 BPM | ||
| Angels we have heard on high | Chanticleer | F♯ Major | 1 | 2B | 169 BPM | ||
| Ave verum corpus | The New London Chorale | D Major | 2 | 10B | 63 BPM | ||
| His Yoke Is Easy, His Burthen Is Light - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Stille Nacht, heilige Nacht | Franz Xaver Gruber, Dresdner Kreuzchor, Roderich Kreile | B Major | 0 | 1B | 177 BPM |