Antoine Forqueray, Michael Borgstede's ' "Suite No. 2 in G Major: La Buisson. Chaconne" was released on its scheduled release date, 2011. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 12 out of 32 in Forqueray: Works for Harpsichord by Antoine Forqueray, Michael Borgstede. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Suite No. 2 in G Major: La Buisson. Chaconne is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suite No. 2 in G Major: La Buisson. Chaconne by Antoine Forqueray, Michael Borgstede is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pieces de viole, Suite No. 2 in G Major: II. La Mandoline | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Thomas Dunford, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: IV. Grave | Dietrich Buxtehude, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D Major | 1 | 10B | 113 BPM | ||
| Mystery Sonata No. 7 "The Scourging at the Pillar": I. Allamanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 | Tarquinio Merula, Leila Schayegh, La Centifolia | B Major | 2 | 1B | 80 BPM | ||
| Flute Concerto in C Minor, QV 5:38: I. Allegro | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | A Major | 1 | 11B | 102 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
| Pièce à trois violes en Ré Mineur: III. Sarabande | Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves | D♭ Minor | 1 | 12A | 76 BPM | ||
| Pièces De Viole - 2Eme Suite. La Du Breüil | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
| Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
| Sonate concertate in stil moderno, Book 1: No. 6, Sonata à 2 | Dario Castello, Ecco la musica | D♭ Major | 1 | 3B | 114 BPM | ||
| Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
| Sonata & Suite in B-Dur, BuxWV 273: Sonata & Suite in B-Dur, BuxWV 273: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A Major | 3 | 11B | 91 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Suite for Lute No. 23 in A Minor, Smith 29 "L'Infidèle": VI. Paysanne | Silvius Leopold Weiss, Toyohiko Satoh | B Major | 2 | 1B | 81 BPM | ||
| Suite No. 3 in D Major: No. 7, La Morangis ou La Plissay. Mouvement de Chaconne | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Mathilde Vialle, Pau Marcos Vicens, Gabriel Rignol | F♯ Major | 0 | 2B | 102 BPM | ||
| Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau, Thomas Dunford | B Minor | 1 | 10A | 83 BPM | ||
| Suite in G Minor: I. Allemande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | ||
| Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
| Violin Sonata in A Major, Op. 5 No. 1: I. Adagio | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A♭ Major | 0 | 4B | 80 BPM | ||
| Sonata da Chiesa a tre, Op. 1 No. 1 in F Major: I. Grave | Arcangelo Corelli, Purcell Quartet, Catherine Mackintosh, Elizabeth Wallfisch, Richard Boothby, Robert Woolley, Jakob Lindberg | C Major | 1 | 8B | 101 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Suite No. 1 in D Minor: No. 1, Allemande "La La Borde". Noblement et avec Sentiment | Antoine Forqueray, Jean-Baptiste Forqueray, Myriam Rignol, Pau Marcos Vicens, Gabriel Rignol, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM |