Claron McFadden's 'Surabaya Johnny' had a release date set for September 10, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sven Ratzke, Claron McFadden, Fay Lovsky, Clark McFadden's "Groschenblues" album is number 7 out of 18. On top of that, Netherlands appears to be the country where this track was created. The popularity of Surabaya Johnny is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Surabaya Johnny by Claron McFadden to be Prestissimo (even faster than presto) because the track has a tempo of 209 BPM, a half-time of 104BPM, and a double-time of 418 BPM. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The English Concert, Trevor Pinnock, The English Concert Choir | F♯ Minor | 0 | 11A | 135 BPM | ||
| Stabat Mater: 10. Fac ut portem | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 0 | 11B | 173 BPM | ||
| Songs, Op. 31: No. 3, Sento amor | Leopold Koželuch, Bart Van Oort, Claron McFadden | G Minor | 1 | 6A | 112 BPM | ||
| Mass in B Minor, BWV 232, Symbolum Nicenum: No. 15, Et in unum Dominum | Johann Sebastian Bach, Johannette Zomer, Andreas Scholl, Collegium Vocale Gent, Philippe Herreweghe | F♯ Major | 1 | 2B | 138 BPM | ||
| Wie schön leuchtet der Morgenstern, BWV 1: Wie schon leuchtet der Morgenstern (Chorus) | Johann Sebastian Bach, Malin Hartelius, Nathalie Stutzmann, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 2 | 12B | 182 BPM | ||
| Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
| Flight, Act I: Due to circumstances beyond our control (Controller, Refugee) | Jonathan Dove, David Parry, London Philharmonic Orchestra, Claron McFadden, Christopher Robson | C Major | 2 | 8B | 76 BPM | ||
| Te Deum, H. 146: IX. "Fiat misericordia tua Domine" | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
| As Pants the Hart, HWV 251b: II. As Pants the Hart for Cooling Streams | George Frideric Handel, Arcangelo, Jonathan Cohen, Hilary Cronin, Samuel Boden, Raoul Steffani | A Major | 5 | 11B | 105 BPM | ||
| Strange Fruit | Fabrizio Cassol, Claron McFadden, Eric Legnini | D Minor | 1 | 7A | 168 BPM | ||
| Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | ||
| I. Auf Christenheit! begeh ein Freudenfest | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 182 BPM | ||
| Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 2 | 10B | 105 BPM | ||
| 12 Madrigali per cantare e sonare (Excerpts): No. 5, Deh vieni ormai | Luzzasco Luzzaschi, Mike Fentross, Emma Huijsser, Paulina Van Laarhoven, Claron McFadden, Nora Fischer | D♭ Minor | 1 | 12A | 97 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 2: "Thanks to These Lonesome Vales" (Belinda, Chorus) | Henry Purcell, Maxim Emelyanychev, Fatma Said, Il Pomo D'oro, Il pomo d'oro Choir | F♯ Minor | 0 | 11A | 172 BPM | ||
| Saul, HWV 53: Act III Scene 5: March: Grave | George Frideric Handel, Stephan MacLeod, David Cordier, Knut Schoch, Barbara Schlick, Claron McFadden, Marcel Beekman, Gotthold Schwarz, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A♭ Minor | 1 | 1A | 105 BPM | ||
| Sonata a tromba in D Major, TWV 44:1: III. Vivace | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Ute Hartwich | D♭ Major | 3 | 3B | 141 BPM | ||
| Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | ||
| I Silenti, Act II: II. Cantai Un Tempo | Tcha Limberger, Claron McFadden, Nicola Wemyss, Jonatan Alvarado, Philippe Thuriot, Vilmos Csikos, Simon Leleux, Georgi Dobrev | G Minor | 4 | 6A | 80 BPM | ||
| Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | D Minor | 1 | 7A | 114 BPM | ||
| Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
| Phoebus, God Beloved by Men | Samuel Pepys, Cesare Morelli, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | ||
| Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Les Indes galantes, Prologue, Scène 5: "Traversez les plus vastes mers" (L'Amour, Hébé, Choeur) | Jean-Philippe Rameau, Isabelle Poulenard, Claron McFadden, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 85 BPM | ||
| Flight, Act I: Look who's coming! (Controller, Refugee, Minskwoman, Bill, Tina, Older Woman, Steward, Stewardess) | Jonathan Dove, David Parry, London Philharmonic Orchestra, Claron McFadden, Christopher Robson, Anne Mason, Richard Coxon, Mary Plazas, Nuala Willis | E Minor | 3 | 9A | 78 BPM |