"Twisted Blues with Twisted Ballad: III. Twisted Ballad (Reflections on "Stairway to Heaven" by Led Zeppelin)" by Mark-Anthony Turnage, Jimmy Page, Robert Plant, Piatti Quartet had its release date on September 28, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 14 in Albion Refracted by Piatti Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Twisted Blues with Twisted Ballad: III. Twisted Ballad (Reflections on "Stairway to Heaven" by Led Zeppelin) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Twisted Blues with Twisted Ballad: III. Twisted Ballad (Reflections on "Stairway to Heaven" by Led Zeppelin) by Mark-Anthony Turnage, Jimmy Page, Robert Plant, Piatti Quartet is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata for trumpet and piano | Kent Kennan, Raymond Mase | E♭ Major | 1 | 5B | 130 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
| Mythes, Trois Poèmes, Op. 30: 1. La fontaine d'Arethuse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A♭ Minor | 0 | 1A | 74 BPM | ||
| To The Forefront | Ryan Erik Adamsons, Zephyr Brass Collective, Joe Smith | E♭ Major | 2 | 5B | 104 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | D Major | 2 | 10B | 107 BPM | ||
| Three Farewells: Music to Hear | Mark-Anthony Turnage, Nash Ensemble | E♭ Major | 0 | 5B | 134 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | D Major | 2 | 10B | 107 BPM | ||
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| On Opened Ground: I. Cadenza and Scherzino | Mark-Anthony Turnage, Markus Stenz, Lawrence Power, London Philharmonic Orchestra | C Major | 2 | 8B | 88 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Scorched - based on Tunes by John Scofield: Kubrick | John Scofield, Mark-Anthony Turnage, John Patitucci, Peter Erskine, Frankfurt Radio Symphony Orchestra, hr-Bigband, Hugh Wolff | C Major | 4 | 8B | 88 BPM | ||
| Donnacha Dennehy: Land of Winter: VII. June | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Nightsongs | Richard Peaslee, Joseph Foley, Bonnie Anderson | G Minor | 1 | 6A | 104 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | D Major | 2 | 10B | 107 BPM | ||
| National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM | ||
| Seven Nuggets: VII. Lapis, with Gold Crystals | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| From Honey to Ashes: VIII. Alba | Stephen Goss, Francisco Correa, Emily Andrews | D Major | 2 | 10B | 107 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the girl | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | D Major | 2 | 10B | 107 BPM | ||
| ‘Shadow Walker’ Concerto for Two Violins & Orchestra: III. | Mark-Anthony Turnage, N/A, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel, Vadim Repin, Daniel Hope | G Major | 1 | 9B | 77 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM |