Francisco Guerrero, Núria Rial, Jordi Abelló, Albert Folch, Pau Bordas, Ignasi Jorda's 'Magnificat: II. Anima mea Dominum' had a release date set for January 1, 1997. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Francisco Guerrero, Musica Ficta, Raúl Mallavibarrena's "Guerrero: Motecta" album is number 28 out of 39. On top of that, Mexico appears to be the country where this track was created. In terms of popularity, Magnificat: II. Anima mea Dominum is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat: II. Anima mea Dominum by Francisco Guerrero, Núria Rial, Jordi Abelló, Albert Folch, Pau Bordas, Ignasi Jorda to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hic est discipulus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Finale | Tallis Chamber Choir, Edinburgh Renaissance Band, The | E Major | 2 | 12B | 77 BPM | ||
| Guerrero: Conceptio tua | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | ||
| Behold, How Good and Joyful a Thing It Is | Thomas Wilson, The Choir of Peterhouse, Cambridge, Simon Jackson | C Major | 1 | 8B | 171 BPM | ||
| Lotti: Crucifixus a 8 | Antonio Lotti, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
| Monks Spiritual Peaceful Meditation | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Gregorian Chants | F Major | 1 | 7B | 114 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Missa pro defunctis: VI. Agnus Dei | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 169 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| Rore: Descendi in hortum meum - 1. Descendi in hortum meum | Cipriano de Rore, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 76 BPM | ||
| Trahe me, post te | Francisco Guerrero, Núria Rial, Yolanda Lázaro, Jordi Abelló, Albert Folch, Pau Bordas, Ignasi Jorda | A♭ Minor | 1 | 1A | 82 BPM | ||
| Taverner: Dum transisset Sabbatum I | John Taverner, Philip Ledger, Choir of King's College, Cambridge | F Major | 1 | 7B | 133 BPM | ||
| Dolores mortis | Diomedes, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | E Minor | 1 | 9A | 118 BPM | ||
| Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
| Ave maris stella: V. Monstra te esse matrem | Francisco Guerrero, Núria Rial, Alicia Ramonet, Lluis Vilamajo, Ignasi Jorda | C Minor | 1 | 5A | 94 BPM | ||
| Mass for Four Voices: IVc. Benedictus | William Byrd, Stile Antico | F Minor | 1 | 4A | 139 BPM | ||
| Mass of the Americas: II. Kyrie | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Ricercar sexto | Jacques Buus, Musurgia Ensemble, João Francisco Távora | G Major | 1 | 9B | 81 BPM | ||
| Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | ||
| Aimè, ch'io moro: Aime, ch'io moro | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | C Major | 1 | 8B | 83 BPM | ||
| Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
| Sacrae Cantiones - Ave Maria (A 4) | Jordi Savall, Francisco Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| Fayrfax: Magnificat "Regale": IV. Suscepit Israel puerum suum | Robert Fayrfax, Choir of King's College, Cambridge, Stephen Cleobury | G Major | 2 | 9B | 111 BPM | ||
| Sheppard: Missa Cantate - 1a. Gloria in excelsis Deo | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM | ||
| C'est par amour | Thibault Fromant, Ad Dei Gloriam | D Minor | 1 | 7A | 115 BPM |