Steve Reich, Ensemble Signal's ' "Music for 18 Musicians (modular version): Section XI" was released on its scheduled release date, May 15, 2015. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Steve Reich: Music for 18 Musicians". In this album, this song's track order is #13. In terms of popularity, Music for 18 Musicians (modular version): Section XI is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Music for 18 Musicians (modular version): Section XI by Steve Reich, Ensemble Signal having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Microtonal Etudes, Op. 28: VII. 17 notes: Con moto | Easley Blackwood | D Minor | 1 | 7A | 173 BPM | ||
| Four Walls: Act I, Scene 1 | John Cage, Aki Takahashi, Megumi Hashiramoto | A Minor | 0 | 8A | 70 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| Anthem of the Trinity | Terry Riley | F♯ Minor | 1 | 11A | 101 BPM | ||
| Clouds | Hiroshi Yoshimura | E♭ Minor | 0 | 2A | 92 BPM | ||
| Woodwind Quintet No. 1: Music as a mirror | Sophia Jani, Dandelion Quintett | A♭ Major | 1 | 4B | 69 BPM | ||
| Vermont Counterpoint | Steve Reich, Anne Parisot, Delphine Roche | A Minor | 3 | 8A | 116 BPM | ||
| Falaise | Floating Points | B Minor | 4 | 10A | 143 BPM | ||
| Old Automation | Masayoshi Fujita | A♭ Minor | 1 | 1A | 77 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| Wask | Nuno Canavarro | C Major | 5 | 8B | 100 BPM | ||
| Cantus in memoriam Benjamin Britten | Arvo Pärt, Angèle Dubeau, La Pietà | A Minor | 1 | 8A | 76 BPM | ||
| Music for 18 Musicians: Pulses | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 4 | 11B | 99 BPM | ||
| The Cave, Act 1 Scene 14: Interior of the Cave | Steve Reich, The Steve Reich Ensemble, Paul Hillier, Cheryl Bensman-Rowe, Hugo Munday, James Bassi, Marion Beckenstein | G Major | 0 | 9B | 127 BPM | ||
| Light Circles | Irena And Vojtech Havlovi | A Minor | 1 | 8A | 117 BPM | ||
| Shaker Loops: A Final Shaking (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 72 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM | ||
| Music for 18 Musicians: Section IIIB | Steve Reich | E Major | 3 | 12B | 111 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| Notte | Solyn | B♭ Major | 2 | 6B | 82 BPM | ||
| No. 2, Unison | Julius Eastman, Wild Up, Christopher Rountree | F Minor | 0 | 4A | 76 BPM | ||
| Rose Wreath Crown (for CW) | Kali Malone | F♯ Minor | 0 | 11A | 69 BPM | ||
| The Cave, Act 3 Scene 1: Who Is Abraham? | Steve Reich, The Steve Reich Ensemble, Paul Hillier, Cheryl Bensman-Rowe, Hugo Munday, James Bassi, Marion Beckenstein | F♯ Major | 1 | 2B | 135 BPM | ||
| Chrome Country | Oneohtrix Point Never | E♭ Major | 3 | 5B | 75 BPM | ||
| Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM |