- BPM
- 144
- Key
- C Major
- Camelot
- 8B
They All Laughed by Thomas Quasthoff, Günter Bollmann, Chuck Loeb, Peter Erskine, Ruud Breuls, Alan Broadbent, Fiete Felsch, Karl Schloz, Dieter Ilg, Till Brönner, Uli Plettendorf, Andreas Maile, Axel Schlosser, Marcus Bartelt Song Details
Thomas Quasthoff, Günter Bollmann, Chuck Loeb, Peter Erskine, Ruud Breuls, Alan Broadbent, Fiete Felsch, Karl Schloz, Dieter Ilg, Till Brönner, Uli Plettendorf, Andreas Maile, Axel Schlosser, Marcus Bartelt's ' "They All Laughed" was released on its scheduled release date, March 2, 2007. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. They All Laughed's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Jazz Album (G/A/S)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, They All Laughed's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With They All Laughed by Thomas Quasthoff, Günter Bollmann, Chuck Loeb, Peter Erskine, Ruud Breuls, Alan Broadbent, Fiete Felsch, Karl Schloz, Dieter Ilg, Till Brönner, Uli Plettendorf, Andreas Maile, Axel Schlosser, Marcus Bartelt having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
Music Key
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -10.602 dB
- Acousticness
- 61%
- Danceability
- 67%
- Energy
- 36%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 82%
- Speechiness
- 4%
- Valence
- 69%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Winterreise, D. 911: No. 1, Gute Nacht | Franz Schubert, Thomas Quasthoff, Charles Spencer | B♭ Minor | 0 | 3A | 106 BPM | |
 | Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | |
 | Dowland: First Book of Songs or Ayres: No. 1, Come Again! Sweet Love Doth Now Invite | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 2 | 2B | 112 BPM | |
 | Misa Tango: I. Kyrie | MartÍn Palmeri, Astoria, Philippe Gérard | G Minor | 0 | 6A | 112 BPM | |
| Winterreise, D. 911: No. 15, Die Krähe | Franz Schubert, Thomas Quasthoff | D Major | 1 | 10B | 145 BPM | |
 | Hänsel und Gretel: "Abends will ich schlafen gehn" | Engelbert Humperdinck, Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 84 BPM | |
 | I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (1) Coro: Wachet Auf, Ruft Uns Die Stimme | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Johann Sebastian Bach, Sytse Buwalda, Nico Van Der Meel, Pieter Jan Leusink | D Major | 1 | 10B | 86 BPM | |
 | Bist du bei mir, BWV 508 (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D Major | 1 | 10B | 92 BPM | |
 | Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt | G Minor | 3 | 6A | 120 BPM | |
 | St. Matthew Passion, BWV 244, Pt. 1: Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Trinity Boys Choir, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Minor | 1 | 2A | 86 BPM | |
 | Messiah, HWV 56: Part 3: I know that my Redeemer liveth (Air) | Nikolaus Harnoncourt | E♭ Major | 1 | 5B | 56 BPM | |
 | Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" | Felix Mendelssohn, Melanie Diener, Philippe Herreweghe | C Minor | 0 | 5A | 69 BPM | |
 | 12 Romances, Op. 21: VII. How Fair this Spot | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | F Minor | 1 | 4A | 73 BPM | |
 | Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | |
 | St. John Passion, BWV 245: Pt. II: Chorale. Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 133 BPM | |
 | Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | |
| St. John Passion, BWV 245: Pt. II: Aria. Zerfliesse, mein Herze (Soprano) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 76 BPM | |
 | Requiem, Op. 48, N. 97: V. Agnus Dei | Gabriel Fauré, La Chapelle Royale, Philippe Herreweghe, Collegium Vocale Gent, Joseph Moor | D Minor | 0 | 7A | 143 BPM | |
 | Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | |
| Des Knaben Wunderhorn: Revelge | Gustav Mahler, Thomas Quasthoff, Berliner Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 91 BPM | ||
 | Georgia On My Mind | Hoagy Carmichael, Thomas Quasthoff, Frank Chastenier | F Major | 0 | 7B | 82 BPM | |
 | Brahms: Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker, Rundfunkchor Berlin, Thomas Quasthoff | F Major | 0 | 7B | 74 BPM | |
 | Schoenberg: Gurre-Lieder, Pt. 3: "Der Hahn erhebt den Kopf zur Kraht" (Waldemars Mannen) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | F Minor | 0 | 4A | 107 BPM | |
 | Hänsel und Gretel, EHWV 93.3, Act II: Abends, will ich schlafen geh'n | Engelbert Humperdinck, Rundfunk-Sinfonieorchester Berlin, Marek Janowski, Katrin Wundsam, Alexandra Steiner | D Major | 0 | 10B | 169 BPM | |
| Schoenberg: Gurre-Lieder, Pt. 1: "O, wenn des Mondes Strahlen" (Tove) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | B Major | 1 | 1B | 116 BPM |
- ISRC
- DEN960631405
- Label
- L-M Records/RCA Records