On April 7, 2012, the song "Rahejo Mari Akhaldi" was released by Rajkot Gurukul. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Rasik Piya Ghanshyam ...". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Rahejo Mari Akhaldi is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rahejo Mari Akhaldi by Rajkot Gurukul having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Rangai Jane Bholanath Na Rang Ma | Arvind Barot, Bhavna Rana | F♯ Major | 6 | 2B | 101 BPM | ||
| Kashtabhanjandev No Rang Lagyo | Jemish Bhagat | D♭ Major | 9 | 3B | 150 BPM | ||
| Aaj Mara Mandiriyama Male Shrinathji | Nidhi Dholakiya | F♯ Minor | 5 | 11A | 140 BPM | ||
| Satpuda Wali Mata | AJAY CHOUDHARY | E♭ Major | 4 | 5B | 191 BPM | ||
| Maro Sandesho Sajan | Mamta Soni, Vikram Thakor | D♭ Major | 6 | 3B | 130 BPM | ||
| Laad Ladavo Lala Ne | Urvashi Pandya | B♭ Minor | 7 | 3A | 82 BPM | ||
| YAMUNA JAL MA KESHAR | Nidhi Dholkiya | A Major | 9 | 11B | 83 BPM | ||
| Stuti | Shree Swaminarayan Temple Bhuj | A♭ Major | 3 | 4B | 99 BPM | ||
| Koushalyana Kunvar Tamari | Damyanti Bardai, Dipali Somaiya, Chetan Gadhavi | E♭ Major | 6 | 5B | 100 BPM | ||
| Hari Krishna Haiya Na Har | Rajkot Gurukul | F Major | 6 | 7B | 82 BPM | ||
| JAI RADHA MADHV | Nitin Devka | E♭ Minor | 4 | 2A | 152 BPM | ||
| Darshan Diya Maa Durga Bhawani | Dilip Dharbhangiya | B Major | 8 | 1B | 142 BPM | ||
| SHANKHESHWAR DADA MARA SAKSHAT BHAGVAN | AJITSANSKAR | C Major | 5 | 8B | 120 BPM | ||
| Aaye Tumhre Dwar He Ganraja | Shahnaz Akhtar | G Major | 7 | 9B | 159 BPM | ||
| Akshar Na Vachi | Harikrishna Patel | F Major | 5 | 7B | 79 BPM | ||
| Shilvant Sadhune Ae Ji Vare Vare Namiye Panbai | Damyanti Bardai | B Major | 7 | 1B | 105 BPM | ||
| Vandan Kariye | Satish Dehra, Foram Maheta | B♭ Major | 7 | 6B | 90 BPM | ||
| Bhor Same Bhav Taran Bholo | Niranjan Pandya | F Major | 5 | 7B | 100 BPM | ||
| Rathdo Mod Do Majisa | Prakash Mali | A Major | 8 | 11B | 82 BPM | ||
| Ram Na Vicharo Mare | Kiran Prajapati | B♭ Minor | 7 | 3A | 147 BPM | ||
| Hu Mukt Chhu 01 | Anmol Khatri | F Minor | 5 | 4A | 80 BPM | ||
| Mane Panche Te Garba | Kanu Patel | B♭ Minor | 4 | 3A | 111 BPM | ||
| Kemre Bhuliy Swami Upkar Apna | Swaminarayan Aksharpith | C Minor | 4 | 5A | 104 BPM | ||
| Siddhachal Stuti | Amey Date | B♭ Minor | 5 | 3A | 100 BPM | ||
| Govind Jai Jai Dhun | Nitin Devka, Urvashi Pandya, Ami Chavda, Asif Jeriya | A♭ Major | 8 | 4B | 140 BPM |