"Ah, mon fils (Le Prophète)" by Rise Stevens had its release date on August 24, 2006. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rise Stevens's "Lebendige Vergangenheit - Risë Stevens" album is number 6 out of 15. Ah, mon fils (Le Prophète) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ah, mon fils (Le Prophète) by Rise Stevens to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hello, Young Lovers | Rise Stevens | E♭ Major | 3 | 5B | 173 BPM | ||
| Sullivan: The Pirates of Penzance, Act 1: Recitative. "What Shall I Do?" - Chorus of Girls. "Climbing Over Rocky Mountain" (Frederic, Edith, Kate, Chorus) | Arthur Sullivan, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Heather Harper, Marjorie Thomas, Richard Lewis, Pro Arte Orchestra | C Major | 2 | 8B | 135 BPM | ||
| Don Giovanni, K.527, Act I Scene 14: Dalla sua pace | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Introduction / Summertime: Ha-da-da, ha-da-da... It ain't necessarily so | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | A Major | 3 | 11B | 70 BPM | ||
| Il barbiere di Siviglia, Act I: No. 5, Cavatina. Una voce poco fa - Cabaletta. Io sono docile | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM | ||
| Les Contes d'Hoffmann: Schlémil! | Jacques Offenbach, Rise Stevens, Clifford Harvuot, Richard Tucker, Alessio De Paolis, Martial Singher, Mildred Miller, Pierre Monteux | B♭ Major | 3 | 6B | 130 BPM | ||
| La Cenerentola, Act I: Aria. Una volta c'era un re | Gioachino Rossini, Teresa Berganza, Margherita Guglielmi, Laura Zannini, Ugo Trama, London Symphony Orchestra, Claudio Abbado | C Major | 2 | 8B | 135 BPM | ||
| The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM | ||
| Bizet: Carmen, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
| I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM | ||
| Mignon: Ô Vierge Marie | Ambroise Thomas, Rise Stevens, Ezio Pinza, James Melton, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| I puritani, Act II: O rendetemi la speme... Qui la voce sua soave | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 96 BPM | ||
| Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
| Introduction / Summertime: A woman is a sometime thing | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | E Major | 2 | 12B | 135 BPM | ||
| Samson et Dalila, Op. 47: Act I: Je viens celebrer la victoire (Dalila, Samson, Vieillard) | Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous, Fausto Cleva | D Minor | 3 | 7A | 82 BPM | ||
| Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Carmen: Quand je vous aimerai? . . . L'amour est un oiseau rebelle (Habanera) | Georges Bizet, Rise Stevens, Fritz Reiner | F♯ Major | 3 | 2B | 132 BPM | ||
| Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Coro, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | D Major | 1 | 10B | 169 BPM | ||
| All Thro' the Night (Welsh Carol) | Traditional, Rise Stevens | G Major | 3 | 9B | 172 BPM | ||
| Carmen: Mais qui donc attends-tu?..Halte-là! Qui va là? | Georges Bizet, George Cehanovsky, Rise Stevens, Alessio De Paolis, Richard Tucker, Lucine Amara, Margaret Roggero, Fritz Reiner | F♯ Major | 3 | 2B | 132 BPM | ||
| Mignon: En route, amis, plions bagage | Ambroise Thomas, Donald Dame, Mimi Benzell, James Melton, Rise Stevens, Ezio Pinza, John Gurney, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| En vain pour éviter (Carmen) | Rise Stevens, Metropolitan Opera Orchester | F Minor | 2 | 4A | 175 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act I: Aria: "Cerco il mio ben così" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | A Major | 1 | 11B | 93 BPM |