"Missa Iste confessor domini: Christe Ic" by Pierre de la Rue, Musurgia Ensemble, João Francisco Távora had its release date on January 9, 2026. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pierre de la Rue, João Francisco Távora, Musurgia Ensemble's "Missa Iste confessor domini" album is number 6 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Missa Iste confessor domini: Christe Ic is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Iste confessor domini: Christe Ic by Pierre de la Rue, Musurgia Ensemble, João Francisco Távora to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Kantos Chamber Choir, Ellie Slorach | F Minor | 0 | 4A | 140 BPM | ||
| Sancte Deus | Thomas Tallis, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | ||
| Missa de Requiem: II. Kyrie | Pierre de Manchicourt, Utopia Ensemble | F Major | 0 | 7B | 87 BPM | ||
| Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
| Orthodox Liturgy: I. In Thy Kingdom | Dobri Hristov, SOFIA ORTHODOX CHOIR, Miroslav Popsavov | A Major | 1 | 11B | 76 BPM | ||
| O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | ||
| Musicha son / Già furon / Ciascun vuol | Francesco Landini, Anna Danilevskaia, Sollazzo Ensemble | A♭ Major | 0 | 4B | 112 BPM | ||
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Factus est repente | Gregor Aichinger, Harmonia Recorder Ensemble | C Major | 0 | 8B | 67 BPM | ||
| For The Feast-Day of St. James, apostle: O beate Dei athleta Jacobe | Urbani Loth, Arianna Savall, La Fenice, Jean Tubéry | A Minor | 1 | 8A | 81 BPM | ||
| Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Josquin: Missa Mater Patris - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 71 BPM | ||
| Alma redemptoris mater | Johannes Ockeghem, Harmonia Recorder Ensemble | F Major | 0 | 7B | 70 BPM | ||
| Via Radiantis Aeternitatis | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | E♭ Major | 1 | 5B | 100 BPM | ||
| Finale | Tallis Chamber Choir, Edinburgh Renaissance Band, The | E Major | 2 | 12B | 77 BPM | ||
| Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
| Missa pro defunctis: IV. Offertory | Pierre de la Rue, New London Chamber Choir, James Wood | G Major | 6 | 9B | 89 BPM | ||
| Inviolata, integra et casta | Josquin des Prez, Odhecaton, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| I. Surge propera amica mea | Ivan Moody, New York Polyphony | E♭ Major | 0 | 5B | 77 BPM | ||
| Hymnus an Aton | Radoslaw Pallarz, Ensemble Memoria Tenere | G Minor | 0 | 6A | 72 BPM |