Dwijen Mukherjee, Banasree Sengupta's ' "Saradin Neelakash Chhariye" was released on its scheduled release date, December 31, 1977. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 4 in the song's album "Sonay Sohaga". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Saradin Neelakash Chhariye's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Saradin Neelakash Chhariye by Dwijen Mukherjee, Banasree Sengupta having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Ek Panchhi Matwala Re | Amit Kumar | G Major | 4 | 9B | 76 BPM | ||
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Deep Chhilo Shikha Chhilo | Manna Dey | F♯ Minor | 3 | 11A | 75 BPM | ||
| Jabar Bela Pichhu Theke - Male Vocals | Hemant Kumar | G Major | 2 | 9B | 135 BPM | ||
| Maa Tor Koto Rongo | Anuradha Paudwal | D♭ Minor | 7 | 12A | 80 BPM | ||
| Bhola Mon Moner Katha | Shyamal Mitra | F♯ Major | 3 | 2B | 109 BPM | ||
| Husn Hai Ya Koi Qayamat Hai | Mohammed Rafi, Aarti Mukherji | E♭ Major | 7 | 5B | 141 BPM | ||
| Amar Mon Kemon Kare | Chinmoy Chatterjee | E♭ Minor | 2 | 2A | 178 BPM | ||
| E Pare Mukhar Holo Keka Oi | Dwijen Mukherjee | F Minor | 4 | 4A | 82 BPM | ||
| Badolo Diner | Hemanta Mukhopadhyay | B Major | 4 | 1B | 128 BPM | ||
| Keh Rahi Hai | Ahmed Hussain, Mohammed Hussain | G Major | 3 | 9B | 106 BPM | ||
| Amra Nutan Joubaneri | Kanika Banerjee, Dwijen Mukherjee | D Major | 2 | 10B | 163 BPM | ||
| Chitnandan Aagey Nachoongi | Asha Bhosle, Sahir Ludhianvi | F♯ Minor | 4 | 11A | 150 BPM | ||
| Aye Kuchh Abr | Runa Laila | B♭ Major | 3 | 6B | 138 BPM | ||
| Ram Rahim Mein Antar Nahin | Asha Bhosle, K. J. Yesudas | A Major | 5 | 11B | 134 BPM | ||
| Jakhan Ratri Nijhum | Mrinal Banerjee, Kumar Sanu | A Minor | 3 | 8A | 103 BPM | ||
| Pahla Data Shishya Bhaya | Madan Gopal | D Major | 4 | 10B | 112 BPM | ||
| O Meri Ladli (Part - 2) | Suman Kalyanpur | E♭ Minor | 4 | 2A | 127 BPM | ||
| Naam Japan Kyon Chhod Diya | Bhimsen Joshi | F♯ Minor | 3 | 11A | 138 BPM | ||
| Badra Ki Chhaon Tale | Suraiya, Mukesh | E♭ Major | 2 | 5B | 67 BPM | ||
| Kato Din Pare Ele | Hemant Kumar | A♭ Minor | 2 | 1A | 88 BPM | ||
| Tumi Sundar Tai Cheye Thaki | Satinath Mukherjee | D♭ Major | 1 | 3B | 66 BPM | ||
| O Shyam Jakhan Takhan | Aarti Mukherji, Sujata Mukherjee | C Major | 4 | 8B | 139 BPM | ||
| Swapan Jodi Madhur Emon | Manna Dey | A Major | 2 | 11B | 127 BPM | ||
| Thikana Na Rekhe Bhaloi Korechho | Haimanti Sukla | D Major | 3 | 10B | 141 BPM |