John Dowland, Joachim Held's ' "The Lady Rich's Galliard, P. 43a: My Lady Riches Galliard" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joachim Held's "Lute Music Of The Renaissance From The Schele Manuscript 1619" album is number 13 out of 19. On top of that, Germany appears to be the country where this track was created. The Lady Rich's Galliard, P. 43a: My Lady Riches Galliard is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Lady Rich's Galliard, P. 43a: My Lady Riches Galliard by John Dowland, Joachim Held to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pavana Lachrymae, BK 54 | William Byrd, Mishka Rushdie Momen | G Major | 0 | 9B | 177 BPM | ||
| Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
| Galliard in D Major, P. 24, "Awake sweet love, thou art returned" | John Dowland, Nigel North | A Minor | 1 | 8A | 107 BPM | ||
| Saltarello I & II | Giacomo Gorzanis, Marc Lewon | B♭ Major | 0 | 6B | 98 BPM | ||
| Corrente quarta | Giovanni Girolamo Kapsberger, Les Kapsber'girls | F♯ Minor | 1 | 11A | 79 BPM | ||
| La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde, Andrés Madariaga, Maria-Theresa Freibott | A Minor | 2 | 8A | 96 BPM | ||
| BRANLE VII | Hortus Musicus | D Minor | 3 | 7A | 80 BPM | ||
| Pavana lachrimae | Joachim van den Hove, Joachim Held | A Major | 2 | 11B | 164 BPM | ||
| Fantasía para un Gentilhombre: IV. Canario | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | D Major | 3 | 10B | 141 BPM | ||
| Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM | ||
| Folías | Antonio Martín y Coll, Gaspar Sanz, José Miguel Moreno | D Minor | 1 | 7A | 94 BPM | ||
| Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
| Da Ripa : Part III: Nunc Mater exora natum | Heringman | A Major | 0 | 11B | 96 BPM | ||
| Dowland's Adieu for Master Oliver Cromwell, P. 13 | John Dowland, Ronn McFarlane, Carolyn Surrick | A Major | 1 | 11B | 80 BPM | ||
| Calata ala spagnola | Joan Ambrosio Dalza, Munir Beken, August Denhard | F Major | 1 | 7B | 99 BPM | ||
| Grilla Gagliarda | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 3 | 2B | 104 BPM | ||
| Basse dance :La Magdalena: -Recoupe - Tourdion (Attaingnant) | Edward Martin | D Minor | 1 | 7A | 143 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Galliard (no.21) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | B Major | 0 | 1B | 134 BPM | ||
| The Frog Galliard | John Dowland, Christoph Denoth | E Major | 2 | 12B | 86 BPM | ||
| Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
| MRS. White's Nothing | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 95 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Anthony Rooley, James Tyler | C Major | 4 | 8B | 124 BPM | ||
| Trattado de glosas: Quinta Pars | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Pavane | Pierre Attaingnant, Ronn McFarlane | G Minor | 1 | 6A | 96 BPM |