Ned Rorem, Brendan Buckley, Matthew DiBattista, Margot Rood, Stefan Barner, Jonas Budris, Jason Connell, Gil Rose's 'Our Town, Act I: "See What I Mean?"' had a release date set for June 9, 2017. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Our Town, Act I: "See What I Mean?"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Ned Rorem: Our Town". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Our Town, Act I: "See What I Mean?" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Our Town, Act I: "See What I Mean?" by Ned Rorem, Brendan Buckley, Matthew DiBattista, Margot Rood, Stefan Barner, Jonas Budris, Jason Connell, Gil Rose having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | A Major | 2 | 11B | 82 BPM | ||
| Bright Music: Another Dream | Ned Rorem, The Fibonacci Sequence | D♭ Major | 0 | 3B | 110 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| 4 Pictures for Piano Duet: No. 4, Quite Slow and Sad | Edward Gregson, Murray McLachlan, Rose McLachlan | F Major | 1 | 7B | 135 BPM | ||
| Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | A Major | 2 | 11B | 82 BPM | ||
| Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | A Major | 2 | 11B | 82 BPM | ||
| Choralgesänge: No. 72, Du, o schönes Weltgebäude (Ich will dem Kreuzstab gerne tragen), BWV 56 | Johann Sebastian Bach, Alessandro Simonetto | A Major | 2 | 11B | 82 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Dartington Piano Trio | D Minor | 2 | 7A | 87 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | A Major | 2 | 11B | 82 BPM | ||
| 10 Preludes, Op. 23: No. 6 in E-Flat Major. Andante | Sergei Rachmaninoff, Boris Giltburg | A♭ Major | 0 | 4B | 68 BPM | ||
| Homework Suite: Berceuse | Gordon Getty, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 66 BPM | ||
| Rorem : Stopping by Woods on a Snowy Evening | Ned Rorem, Susan Graham | E Minor | 0 | 9A | 100 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| 7 Anniversaries: I. For Aaron Copland | Leonard Bernstein, Michele Tozzetti | C Major | 0 | 8B | 87 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Choralgesänge: No. 91, Es ist genug; so nimm, Herr, meinen Geist (O Ewigkeit, du Donnerwort), BWV 60 | Johann Sebastian Bach, Alessandro Simonetto | A Major | 2 | 11B | 82 BPM | ||
| String Symphony No. 5 in B-Flat Major, MWV N5: II. Andante | Felix Mendelssohn, English String Orchestra, William Boughton | G Major | 0 | 9B | 83 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| 3 Easy Pieces For Piano Duet: 1. March | Igor Stravinsky, Katia Labèque, Marielle Labèque | G Minor | 2 | 6A | 84 BPM | ||
| Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM |