"Doctor Gradus Ad Parnassum (Sounds of Sparrows)" by Nederica Stepan had its release date on August 15, 2011. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Doctor Gradus Ad Parnassum (Sounds of Sparrows)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nederica Stepan's "Moonlight Lullaby's" album is number 12 out of 23. Doctor Gradus Ad Parnassum (Sounds of Sparrows) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Doctor Gradus Ad Parnassum (Sounds of Sparrows) by Nederica Stepan to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Rossini: La Pie voleuse: Ouverture | Gioachino Rossini, Sergiu Celibidache, Munich Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM | ||
| Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | E Major | 5 | 12B | 85 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
| Orchestral Suite No. 2 In B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter | B Minor | 4 | 10A | 115 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Hélène Grimaud, Staatskapelle Dresden, Vladimir Jurowski | B Major | 0 | 1B | 82 BPM | ||
| Rêverie | Robert Schumann, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | F Major | 1 | 7B | 86 BPM | ||
| "Children's Pieces" Andante Sostenuto (Sounds of Fire) | Nederica Stepan | E♭ Major | 1 | 5B | 59 BPM | ||
| Ecossaise (Sounds of Forest) | Nederica Stepan | F Minor | 2 | 4A | 180 BPM | ||
| Suite bergamasque, CD 82: III. Clair de lune | Claude Debussy, Tamás Vásáry | D♭ Major | 0 | 3B | 131 BPM | ||
| Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Royal Concertgebouw Orchestra | A Minor | 0 | 8A | 124 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| L'Apprenti sorcier | Paul Dukas, Orchestre de Paris, Daniel Barenboim | F Minor | 3 | 4A | 133 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein | C Major | 4 | 8B | 108 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Suite for Variety Orchestra: Waltz 2 (Arr. for 12 Cellos) | Dmitri Shostakovich, Die 12 Cellisten der Berliner Philharmoniker | C Minor | 1 | 5A | 181 BPM | ||
| String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
| Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | D♭ Major | 0 | 3B | 86 BPM | ||
| Serenade For Strings: Elegie | Alexander Rudin / Instrumental Ensemble "Musica Viva", Conductors: Nikolay Alekseyev & Alexander Rudin | A♭ Major | 5 | 4B | 78 BPM | ||
| Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
| Peer Gynt, Op. 23: Act IV, 13, Prelude - Morning Mood | Edvard Grieg, Esa-Pekka Salonen | E Major | 0 | 12B | 125 BPM | ||
| Arrival of the Queen of Sheba | George Frideric Handel, Budapest Strings, Béla Bánfalvi | B♭ Major | 2 | 6B | 107 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Menahem Pressler | D♭ Major | 0 | 3B | 109 BPM |