"Komm, susser Tod, komm, sel'ge Ruh! (Come Sweet Death), BWV 478 [arr. R. Sandberg]" by Johann Sebastian Bach, Texas Tech University Choir, Clinton Barrick, Richard Bjella had its release date on November 6, 2012. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Komm, susser Tod, komm, sel'ge Ruh! (Come Sweet Death), BWV 478 [arr. R. Sandberg]'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 2012 Texas Music Educators Association (TMEA): Texas Tech University Choir (Mirrored Messages), so we believe that "Komm, susser Tod, komm, sel'ge Ruh! (Come Sweet Death), BWV 478 [arr. R. Sandberg]" is a single. Komm, susser Tod, komm, sel'ge Ruh! (Come Sweet Death), BWV 478 [arr. R. Sandberg] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Komm, susser Tod, komm, sel'ge Ruh! (Come Sweet Death), BWV 478 [arr. R. Sandberg] by Johann Sebastian Bach, Texas Tech University Choir, Clinton Barrick, Richard Bjella is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto In The Italian Style, BWV 971, "Italian Concerto": III. Presto | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 111 BPM | ||
| Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Mass in B Minor, BWV 232: Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 4 | 3B | 88 BPM | ||
| Concerto in D for three Violins, two Oboes, Bassoon, Strings and Continuo, BWV1064: I. Allegro | Johann Sebastian Bach, Insieme Strumentale di Roma | D♭ Major | 3 | 3B | 90 BPM | ||
| Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: III. Andantino, dolce | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 1 | 9B | 173 BPM | ||
| La Couperin: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 120 BPM | ||
| Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Beweis dein Macht, Herr Jesu Christ (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 102 BPM | ||
| Orphée et Eurydice, Wq. 30: Dance of the Blessed Spirits (Arr. W. Kempff for Piano) | Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 89 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
| Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
| Double Concerto for Oboe and Violin BWV 1060: I. Allegro | Johann Sebastian Bach, Apollo's Fire, Jeannette Sorrell, Debra Nagy, Johanna Novom | F Major | 2 | 7B | 107 BPM | ||
| Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Bach, JS: Trio Sonata in G Major, BWV 1039: IV. Presto | Johann Sebastian Bach, Marc Hantaï, Ageet Zweistra, Jerome Hantai, Pierre Hantaï | G Major | 3 | 9B | 92 BPM | ||
| Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
| Concerto for 2 Pianos in E-Flat Major, K. 365: III. Rondo. Allegro moderato | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Sonata in B Minor, K.27: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 1 | 10B | 130 BPM | ||
| Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | B♭ Minor | 2 | 3A | 81 BPM | ||
| Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante | Wolfgang Amadeus Mozart, András Schiff | G Major | 0 | 9B | 67 BPM | ||
| Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM |