D. V. Paluskar's ' "Kaliyan Sang Karat Rang Raliyan - 2" was released on its scheduled release date, December 31, 1955. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Kaliyan Sang Karat Rang Raliyan - 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Shap Mochan". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Kaliyan Sang Karat Rang Raliyan - 2's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Kaliyan Sang Karat Rang Raliyan - 2 by D. V. Paluskar having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raghupati Raghav | D. V. Paluskar | D♭ Major | 8 | 3B | 85 BPM | ||
| Sajal Sajal | Bhakta Raj Acharya | C Major | 6 | 8B | 138 BPM | ||
| Daata Tere Kai Naam | Mahendra Kapoor, Manhar Udhas, Sadhana Sargam | G Minor | 8 | 6A | 174 BPM | ||
| Ab Na Bani To Phir Na Banegi | Hari Om Sharan | B♭ Minor | 6 | 3A | 80 BPM | ||
| Jamuna Kinare | Sandhya Mukherjee, Akhil Bandhu Ghosh | F♯ Major | 4 | 2B | 78 BPM | ||
| Bhaj Man Ram Naam | Niti Sagar, Moti Sagar, Preeti Sagar, Namitasagar | G Minor | 4 | 6A | 132 BPM | ||
| Sakhi He Hamardukhak Nahi Oor | Sarda Sinha | C Major | 3 | 8B | 161 BPM | ||
| Murakh Prem Berbhu Ka | Mirza Musharaf, Kamala | B Major | 3 | 1B | 92 BPM | ||
| Piu Piu Bol | Pradeep | D Major | 6 | 10B | 140 BPM | ||
| Mera Ban Jaye Koi | Mohammed Rafi | A♭ Major | 7 | 4B | 75 BPM | ||
| Chalo Man Ganga Jamuna Teer | D. V. Paluskar | D♭ Major | 8 | 3B | 85 BPM | ||
| Haar ne Kaaje Nav Mariye | NARAYANSWAMI | F Major | 2 | 7B | 154 BPM | ||
| Raghupati Raghav Rajaram Lofi | Sachin Gupta, D. V. Paluskar | B♭ Minor | 4 | 3A | 84 BPM | ||
| Barsan Lagi Badariya | Girija Devi, Pt. Ravi Kichlu | D Major | 6 | 10B | 123 BPM | ||
| Agar Ay Aasoman | Ahmad Zahir | A♭ Major | 3 | 4B | 59 BPM | ||
| Balam Mera Banka | Shamshad Begum, Pradeep | F♯ Major | 4 | 2B | 131 BPM | ||
| Jani Tumi Phire Aasibe Abar | Chinmoy Chatterjee | F Minor | 2 | 4A | 143 BPM | ||
| Dur Az Tu Har Shab Ta Sahar | Ahmad Zahir | D♭ Major | 5 | 3B | 134 BPM | ||
| Yeh Chand Nahin | Jagmohan Sursagar | A♭ Minor | 3 | 1A | 176 BPM | ||
| Shunya E Buke Pakhi Mor | Akhil Bandhu Ghosh | E♭ Minor | 1 | 2A | 146 BPM | ||
| Thimitha Udhavi Anaya | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Mero Pauma | Gopal Yonjan, Meera Rana | D Minor | 7 | 7A | 125 BPM | ||
| Ghir Ghir Aaye Badarwa Kare | Talat Mahmood, Mubarak Begum | F Minor | 3 | 4A | 72 BPM | ||
| Mat Piyo Mere Chhaila Tambakudi | Leela Pawar, Master Amritlal | F♯ Minor | 2 | 11A | 76 BPM | ||
| Mero Ram Timi | Krishnaman, Gyanu Rana | D♭ Major | 3 | 3B | 82 BPM |