Albert Roussel, Emanuele Torquati's 'Des heures passent, Op. 1: I. Graves, légères' had a release date set for May 23, 2013. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Des heures passent, Op. 1: I. Graves, légères's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Roussel: Promenade Sentimentale, Complete Piano Music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Des heures passent, Op. 1: I. Graves, légères is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Des heures passent, Op. 1: I. Graves, légères by Albert Roussel, Emanuele Torquati having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Études, CD 143, Livre 1: IV Pour les sixtes (Arr. for Ensemble by Thibault Bertin-Maghit) | Claude Debussy, collectif9 | F♯ Minor | 0 | 11A | 58 BPM | ||
| Korngold: Piano Quintet in E Major, Op. 15: II. Adagio. Mit größter Ruhe, stets äußerst gebunden und ausdrucksvoll | Erich Wolfgang Korngold, Alexander Mogilevsky, Alissa Margulis, Lucia Hall, Mark Drobinsky, Nora Romanoff-Schwarzberg | C Major | 0 | 8B | 173 BPM | ||
| Roussel: Sinfonietta, Op. 52: I. Allegro molto | Albert Roussel, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 2 | 7A | 83 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: II. Allegro non troppe e grazioso | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | F♯ Major | 1 | 2B | 109 BPM | ||
| Tandem: III. Rustico | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | F♯ Minor | 1 | 11A | 74 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Var. IV | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Oboe Sonata, FP 185: III. Déploration: Très calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | E♭ Minor | 0 | 2A | 63 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | C Major | 0 | 8B | 173 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, I. The Neighbors' Dance - Seguidillas | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Pletnev: 14 Mémoires musicales: Romance | Mikhail Pletnev, Rachmaninoff International Orchestra | B Minor | 1 | 10A | 138 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Falla: 4 Piezas españolas: No. 3, Montañesa | Manuel de Falla, Jean-François Heisser | D Major | 0 | 10B | 65 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | G Major | 1 | 9B | 95 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Symphony No. 1, GMW 11: Ib. Immer sehr gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 0 | 11B | 95 BPM | ||
| Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepāja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM |