Сеча при Керженце, "Сказание о Невидимом Граде Китеже и деве Февронии" by Nikolai Rimsky-Korsakov, Симфонический оркестр РГМЦ Song Details

"Сеча при Керженце, "Сказание о Невидимом Граде Китеже и деве Февронии"" by Nikolai Rimsky-Korsakov, Симфонический оркестр РГМЦ had its release date on February 9, 2015. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Сеча при Керженце, "Сказание о Невидимом Граде Китеже и деве Февронии"" is a single. Сеча при Керженце, "Сказание о Невидимом Граде Китеже и деве Февронии" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Сеча при Керженце, "Сказание о Невидимом Граде Китеже и деве Февронии" by Nikolai Rimsky-Korsakov, Симфонический оркестр РГМЦ is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -14.211 dB
Acousticness: 82%
Danceability: 25%
Energy: 44%
Instrumentalness: 93%
Liveness: 12%
Loudness: 76%
Speechiness: 4%
Valence: 9%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Danse macabre in G Minor, Op. 40	Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark	G Minor	2	6A	116 BPM
Mendelssohn: Violin Concerto in E Minor Op. 64: I. Allegro molto appassionato	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E Minor	2	9A	101 BPM
Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	E Major	0	12B	66 BPM
Samson et Dalila: Bacchanale	Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist	D Minor	1	7A	122 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Jazz Suite No. 2: IV. Waltz I	Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly	B♭ Major	2	6B	178 BPM
Capriccio Espagnol, Op. 34	Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi	F Major	1	7B	73 BPM
Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring)	Joseph Banowetz, Franz Liszt	G Major	1	9B	108 BPM
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction	Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra	A Major	1	11B	103 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM
Abdelazer: Rondeau	Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner	D♭ Major	1	3B	61 BPM
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls	Igor Stravinsky, Teodor Currentzis, musicAeterna	B♭ Major	3	6B	120 BPM
2nd Movement: Largo	London Philharmonic Orchestra	D♭ Major	0	3B	74 BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): II. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	3	10B	91 BPM
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4	Frédéric Chopin, Arthur Rubinstein	D♭ Major	1	3B	82 BPM
The Marriage Of Figaro KV.592	Alfred Scholz, London Philharmonic Orchestra	D Major	1	10B	142 BPM
Schwanengesang, D. 957: Ständchen	Franz Schubert, Mischa Maisky, Daria Hovora	D Minor	0	7A	179 BPM
Carmen Suite No. 1: 2. Aragonaise	Georges Bizet, Orchestre de Paris, Semyon Bychkov	D Minor	0	7A	120 BPM
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto)	Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek	G Major	2	9B	106 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Scheherezade, Op. 35: II. The Story of the Kalendar Prince	Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra	E Minor	1	9A	73 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra	E Minor	1	9A	70 BPM
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto	Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim	G Minor	2	6A	65 BPM
Boris Godunov, Prologue Scene 1: "Na kogo zh ty nas pokidaesh?"	Modest Mussorgsky, Nikolai Rimsky-Korsakov, Станислав Сулейманов, Николай Низиенко, Людмила Юрченко, Нина Новосёлова, хор Большого театра, Mark Ermler, Оркестр Большого театра	A Minor	1	8A	88 BPM