"Rebearth" by Capture, Telle Smith had its release date on May 21, 2013. Rebearth is explicit and may not be suitable for children. With the duration being about 3:53, this song is close to the average duration of a typical track. Since Rebearth only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Based on our statistics, Rebearth's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rebearth by Capture, Telle Smith having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whiskey For The Soul | Adestria | F Minor | 10 | 4A | 163 BPM | ||
| The New York Chainsaw Massacre | That's Outrageous! | D Major | 10 | 10B | 140 BPM | ||
| We're Not In Kansas Anymore | I See Stars | B Minor | 10 | 10A | 135 BPM | ||
| Déjà Vu | Capture | G Major | 7 | 9B | 120 BPM | ||
| Everybody's Eyes | Sienna Skies | E Minor | 10 | 9A | 140 BPM | ||
| Fightin' Words | Casino Madrid | D♭ Major | 10 | 3B | 157 BPM | ||
| No Way to Live | Chasing Safety | B Minor | 9 | 10A | 174 BPM | ||
| Lies | Before Their Eyes | C Major | 10 | 8B | 90 BPM | ||
| Sink or Swim | Feed Her to the Sharks | A♭ Major | 9 | 4B | 100 BPM | ||
| Fightin' Words | Casino Madrid | F Minor | 10 | 4A | 157 BPM | ||
| In Us We Trust | Goodmorning, Gorgeous | A Minor | 10 | 8A | 200 BPM | ||
| Six Souls | For All I Am | B Minor | 10 | 10A | 108 BPM | ||
| The Walking Dead | Woe, Is Me | B♭ Minor | 10 | 3A | 85 BPM | ||
| Earth | Make Me Famous | B Minor | 10 | 10A | 105 BPM | ||
| Alive (Feat. Thomas Erak) | Capture, Thomas Erak | E♭ Major | 10 | 5B | 100 BPM | ||
| The Saddest Thing | This Romantic Tragedy | D Major | 10 | 10B | 175 BPM | ||
| Autumn Skies | Shoot the Girl First | D♭ Major | 10 | 3B | 140 BPM | ||
| Empty Eyes (feat. Garret Rapp) | Jamie's Elsewhere, Garret Rapp | B♭ Minor | 10 | 3A | 146 BPM | ||
| I, The Architect | The Gift of Ghosts | A Major | 9 | 11B | 135 BPM | ||
| Rest in Pieces | Shoot the Girl First | B♭ Minor | 10 | 3A | 140 BPM | ||
| Worthless | We Rise the Tides | E♭ Major | 9 | 5B | 130 BPM | ||
| Back Stabber | Jamie's Elsewhere | F♯ Major | 10 | 2B | 135 BPM | ||
| Dom Perignon | Skip The Foreplay | F♯ Major | 10 | 2B | 140 BPM | ||
| Adrian Makes It Rain | Everyone Dies In Utah | F♯ Major | 9 | 2B | 145 BPM | ||
| The Way Mickey Wears Her Shades | Amyst | C Major | 9 | 8B | 132 BPM |