On October 30, 2000, the song "Mere Bhole Baba" was released by Kumar Vishu. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 1 out of 4 in Bhala Kisi Ka Kar Na Sako To, Bura Kisi Ka Mat Karna by Kumar Vishu. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Mere Bhole Baba's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Mere Bhole Baba by Kumar Vishu is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Sathi Hamara Kaun Banega | Sanjay Pareek | A♭ Major | 7 | 4B | 87 BPM | ||
| Nirvanstakam | Pujya Bhaishree Rameshbhai Ojha | B♭ Minor | 8 | 3A | 82 BPM | ||
| Sitaram Sitaram | Morari Bapu | B♭ Major | 7 | 6B | 90 BPM | ||
| Nagri Ho Ayodhya Si | Vidhi Sharma | D Minor | 7 | 7A | 76 BPM | ||
| Na Mane Na Mane | Shahnaaz Akhtar | C Major | 7 | 8B | 128 BPM | ||
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Maiyya Main Dar Pe Aa Gaya | Mousami, Kumar Vishu, Mina Rana, Damodar Rao | E Major | 8 | 12B | 89 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Duniya Chale Na Shree Ram Ke Bina - Hindi Bhajan | Vinod Rathod | G Minor | 9 | 6A | 146 BPM | ||
| Hey Dukh Bhanjan Maruti Nandan | Anup Jalota, Chandra Kamal | A Major | 6 | 11B | 87 BPM | ||
| Main Kanuda Teri Govalana | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 5 | 5B | 89 BPM | ||
| Maa Baap Ko Mat Bhoolna | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM | ||
| Radha Ki Kirpa | Mridul Krishan Shastri | F♯ Minor | 7 | 11A | 117 BPM | ||
| Mere Sir Per Rakh Do Baba | Rakesh Kala | A♭ Major | 8 | 4B | 140 BPM | ||
| Seth Saanwra Ko Jaakar Shish Nawana | Tulsi Kumar, Kumar Vishu | D♭ Major | 9 | 3B | 98 BPM | ||
| Shyam Baba Tere Pass Aaya Hun | Naresh Narsi | A♭ Major | 10 | 4B | 108 BPM | ||
| Tune Mujhe Bulaya | Kunal Chanchal | F Major | 9 | 7B | 84 BPM | ||
| Satyanarayan Aarti | Vishnu Narayan, Tripti Shakya | G Major | 8 | 9B | 98 BPM | ||
| Narayan Swaminarayan | Baps Swaminarayan Sanstha | F♯ Major | 5 | 2B | 119 BPM | ||
| Maa Ke Naam Ki Sanjivani | Shahnaz Akhtar | C Major | 4 | 8B | 170 BPM | ||
| Sai ke naam anek | Hemant Kumar Kochar | D Major | 5 | 10B | 153 BPM | ||
| Om Jai Shri Gurudeva (Aarti) | Sonia Arora | E♭ Major | 9 | 5B | 93 BPM | ||
| Meri Radha Rani | Jagadguru Shri Kripalu Ji Maharaj, Sangita Didi | C Major | 4 | 8B | 145 BPM | ||
| Ram Doot Atulit Bal Dhama | Bijender Chauhan, Kumar Vishu, Kundan Akela | B♭ Minor | 9 | 3A | 105 BPM |