Indrajeet's 'Boro Shad Mago' had a release date set for October 10, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anuradha Paudwal's "Jayo Biswajanani" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Boro Shad Mago's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Boro Shad Mago by Indrajeet to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aarti Kijie Hanuman Lala Ki | Manjeera Ganguly, Kuldeep Shukla | D Major | 7 | 10B | 100 BPM | ||
| Nwngbai Malaikha Aswk Salni Ulo | Arun Debbarma | E♭ Major | 9 | 5B | 114 BPM | ||
| Ami Shilpi Hote Chai | Bappi Lahiri | C Minor | 5 | 5A | 176 BPM | ||
| Bashaa Chadal Shivji | Sharda Sinha | D♭ Major | 6 | 3B | 120 BPM | ||
| Kesaria, Pt. 1 | Nandita Das | B Major | 4 | 1B | 101 BPM | ||
| Emni Korei Jay Jodi Din Jak Na | Indrani Sen | F Major | 3 | 7B | 131 BPM | ||
| Charane Rakho Sharane Rakho Shri Vallabhadhish | Pushtivrund | E♭ Major | 4 | 5B | 82 BPM | ||
| Mohe Lagi Lagan | Hari Om Sharan, Nandini Sharan | C Major | 1 | 8B | 69 BPM | ||
| Din Guli Mor Sonar | Prasun Mukherjee | F♯ Major | 4 | 2B | 135 BPM | ||
| Namaste Smarannye Shibe | Shankarlal Mukherjee, Birendra Krishna Bhadra | B♭ Major | 3 | 6B | 124 BPM | ||
| Van Ke Koiliya | Sharda Sinha | A♭ Major | 2 | 4B | 97 BPM | ||
| Jadi Kono Din Dekhee | Bela Sulakhe, Indrajeet | A Minor | 6 | 8A | 126 BPM | ||
| Bolya Shreehari Re | Hariprabodham | F Minor | 6 | 4A | 80 BPM | ||
| Bar Sukh Saar Paol - Ganga Stuti | Sarda Sinha | D♭ Major | 4 | 3B | 126 BPM | ||
| Jayanti Mangalaa Kali | Pankaj Mullick | E♭ Major | 2 | 5B | 87 BPM | ||
| Koi Hove Ji Hoi Hove | Narendra Chanchal | D Major | 5 | 10B | 102 BPM | ||
| Pather Shesh | Kishore Kumar | B♭ Minor | 5 | 3A | 139 BPM | ||
| He Parmeshwar Vishwa Vidhaata Prarthana | Hari Om Sharan | C Minor | 5 | 5A | 146 BPM | ||
| Tomar Dekha Pabo | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Sadanandamoyi Kali | Pannalal Bhattacharya | A♭ Minor | 4 | 1A | 70 BPM | ||
| Tumhara Pyar Bhulaoon Toh - Duet | Attaullah Khan, Hemlata | C Major | 5 | 8B | 144 BPM | ||
| Nirab Rater Kalimay | Indrajeet | A♭ Minor | 6 | 1A | 83 BPM | ||
| Jar Preme | Indrajeet | F Minor | 6 | 4A | 169 BPM | ||
| Hare Krishna Vol 6 Part 5 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Khorer Protima Pujis Re Tora | Swaraj Roy | A Major | 4 | 11B | 160 BPM |