"In Time of Pestilence: No. 6, Haste Therefore Each Degree" by Ned Rorem, Gregg Smith Singers, Gregg Smith had its release date on January 1, 1996. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Rorem: Choral Works". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Hong Kong. In Time of Pestilence: No. 6, Haste Therefore Each Degree is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Time of Pestilence: No. 6, Haste Therefore Each Degree by Ned Rorem, Gregg Smith Singers, Gregg Smith having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | B♭ Minor | 1 | 3A | 73 BPM | ||
| Excerpts from Dr. Einstein's Address About Peace in the Atomic Era | Stefan Wolpe, Constance Heller, Gerold Huber | D Major | 1 | 10B | 168 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | B♭ Minor | 1 | 3A | 73 BPM | ||
| Violin Concerto No. 2, Op. 89a: II. Aria | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 2 | 7B | 85 BPM | ||
| 4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano) | John Ireland, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | B♭ Minor | 1 | 3A | 73 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | B♭ Minor | 1 | 3A | 73 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Piano Quintet "Fantasia": II | Carl Vine, Goldner String Quartet, Piers Lane | B♭ Minor | 1 | 3A | 73 BPM | ||
| Hahn: Le rossignol éperdu: No. 52, Hivernale (Version for Piano) | Reynaldo Hahn, Shani Diluka | F♯ Minor | 0 | 11A | 137 BPM | ||
| Âme de Nuit, Op. 12: II. La nuit | Elise Bertrand, Adèle Charvet, Nathanaël Gouin | B♭ Minor | 1 | 3A | 73 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | B♭ Minor | 1 | 3A | 73 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Rorem : Orchids | Ned Rorem, Susan Graham, Ensemble Oriol | F Minor | 0 | 4A | 87 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Our Town, Act III: "Seen Enough?" | Ned Rorem, Matthew DiBattista, Margot Rood, Gil Rose | A Minor | 2 | 8A | 87 BPM | ||
| Riessler: Bachmachine | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | B♭ Minor | 1 | 3A | 73 BPM |