"Morning and Evening" by George Dyson, BBC Concert Orchestra, Roderick Williams had its release date on January 1, 2007. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Sea Fever: Songs By British Composers". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Morning and Evening is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Morning and Evening by George Dyson, BBC Concert Orchestra, Roderick Williams having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
| Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio | Gabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne | D Minor | 0 | 7A | 79 BPM | ||
| Variations on Old Psalm Tunes, Book 2: No. 5. O God my strength | George Dyson, Daniel Cook | G Major | 1 | 9B | 60 BPM | ||
| Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife) | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | G Minor | 0 | 6A | 117 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Helsinki Philharmonic Orchestra, Leif Segerstam | F Major | 0 | 7B | 84 BPM | ||
| Suite from "The Victorian Kitchen Garden": II. Spring. Allegretto | Paul Reade, Michael Collins, Michael McHale | G Minor | 0 | 6A | 65 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Piano Concerto No. 1 in E-Flat Major, H. 27: II. Air écossais, "Twas within a mile of Edinboro' Town" | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 116 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Prelude and Postlude: Prelude | George Dyson, Daniel Cook | G Minor | 0 | 6A | 72 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Song for Orchestra, Op. 33 | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| Delius: Irmelin, Prelude for Orchestra, RT VI/27 | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | D Major | 1 | 10B | 87 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Gymnopédie No. 3 - Arr. by Craig Leon | Erik Satie, James Galway, London Symphony Orchestra, Klauspeter Seibel | F Minor | 0 | 4A | 133 BPM | ||
| Symphony in G Major: III. Allegro risoluto - L'istesso tempo - Molto moderato - Vivace - Molto sostenuto - Poco andante - Poco allegretto - Presto - Grazioso - | George Dyson, Bournemouth Symphony Orchestra, David Lloyd-Jones | G Major | 0 | 9B | 93 BPM | ||
| A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | ||
| English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 110 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Minor | 1 | 9A | 64 BPM | ||
| Karelia Suite, Op.11: 3. Alla marcia (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 184 BPM | ||
| Benedicite in F | George Dyson, The Choir of Magdalen College, Oxford, Henry Morris, Joseph Wragg, Blaise Durodie, Mark Williams | E Minor | 1 | 9A | 64 BPM | ||
| Danish Folk-Music Suite: III. The Nightingale and the Two Sisters | Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra | E Major | 1 | 12B | 91 BPM |