"Barber: Adagio for Strings" by CHA Medical Center had its release date on May 30, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 32 in Classics for Strengthening the Brain Function (CQ Classics) by CHA Medical Center. Based on our statistics, Barber: Adagio for Strings's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Barber: Adagio for Strings by CHA Medical Center is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| Carmen Fantasy for Violin and Orchestra, Op. 25 | SWR Symphony Orchestra, Ion Tanase | D Major | 2 | 10B | 157 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
| Dance of the goblins | Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
| Radetzky-Marsch, Op. 228 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 3 | 11B | 110 BPM | ||
| El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
| Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Major | 2 | 1B | 172 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | ||
| Sabeltanz - A. KHATSCHATURIAN | CHA Medical Center | C Major | 8 | 8B | 88 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: VII. Menuet | Philharmonia Slavonica, Henry Adolph | B Minor | 1 | 10A | 118 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, European Festival Orchestra, Johann Walter | G Minor | 2 | 6A | 104 BPM | ||
| Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
| Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | ||
| "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
| Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Joseph Haydn, Yo-Yo Ma, English Chamber Orchestra, José-Luis Garcia | F Major | 1 | 7B | 62 BPM | ||
| Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | ||
| Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra, Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
| Rigoletto, Act II, Caro nome, Rigoletto, Act IV: La donna e mobile (Arr. For orchestra) | Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
| Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (Excerpt) | Pyotr Ilyich Tchaikovsky, Horacio Gutiérrez, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 131 BPM | ||
| Csardas: Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 170 BPM | ||
| Chopin: Waltz In D Flat, Op. 64/1, "Minuet" | London Festival Orchestra | D♭ Major | 1 | 3B | 111 BPM | ||
| Waltz No.6 in D Flat, Op.64 No.1 -"Minute Waltz" | Frédéric Chopin, Nikita Magaloff | D♭ Major | 1 | 3B | 79 BPM |