"Juliet Drinks The Deadly Potion" by Ann Rachlin had its release date on 1983. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Juliet Drinks The Deadly Potion's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Romeo And Juliet - The Story Of The Ballet". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Juliet Drinks The Deadly Potion's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Juliet Drinks The Deadly Potion by Ann Rachlin having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 127 - Meu bom Jesus, Contigo almejo estar | Orquestra Sacra | C Minor | 1 | 5A | 80 BPM | ||
| La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | ||
| Fantasia on Greensleeve (Excerpt) | Ralph Vaughan Williams, Adelaide Symphony Orchestra, Ron Spigelman | C Minor | 0 | 5A | 79 BPM | ||
| Folge 5 - Tödliche Kaffeefahrt - Teil 21 | Die Alte und der Kommissar | G Major | 6 | 9B | 140 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Sleeping Beauty Awakes | Ann Rachlin | F Major | 1 | 7B | 83 BPM | ||
| Peter and the Wolf, Op. 67: XII. The Hunters Arrive | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
| Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips) | Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman | G Major | 0 | 9B | 92 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| Romeo And Juliet Fall In Love | Ann Rachlin | C Major | 1 | 8B | 136 BPM | ||
| Fortune Telling (After G. Bizet) | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Minor | 1 | 5A | 80 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| La Sylphide: Act II: Forest Scene: James and the Sylphide | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | B♭ Major | 0 | 6B | 120 BPM | ||
| Bibbidi Bobbidi Boo (Cinderella) | London Pops Orchestra, Nelson Corbin | F Major | 3 | 7B | 111 BPM | ||
| Delibes: Lakmé: Prélude | Léo Delibes, Alain Lombard, Orchestre du Theatre National de IOpera-Comique | D♭ Major | 2 | 3B | 113 BPM | ||
| Von Rothbart's Deceitful Trick | Ann Rachlin | A♭ Major | 3 | 4B | 140 BPM | ||
| Teil 5 - Sonderermittler der Krone, Folge 14: Labyrinth der Angst | Oscar Wilde & Mycroft Holmes, Jonas Maas, Sascha Rotermund, Reent Reins, Holger Löwenberg, Mia Diekow, Peter Kirchberger, Tobias Schmidt, Lutz Riedel, Christian Zeiger, Sven Plate | G Major | 6 | 9B | 85 BPM | ||
| Sleepy-time: Suite I | The McCaughey Septuplets | F Minor | 1 | 4A | 136 BPM | ||
| La Bayadère / Act 1: No. 9 Allegro non troppo | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 166 BPM | ||
| Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) | Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham | D♭ Minor | 2 | 12A | 82 BPM | ||
| Shipwreck | Terry Davies, Tiddler | D Major | 4 | 10B | 111 BPM | ||
| Chitty Chitty Bang Bang (Selections) | Robert B. Sherman, Richard Hayman, Richard Hayman Symphony Orchestra | E♭ Major | 3 | 5B | 119 BPM | ||
| Teil 2 - Sonderermittler der Krone, Folge 1: Zeitenwechsel | Oscar Wilde & Mycroft Holmes, Jonas Maas, Sascha Rotermund, Reent Reins, Holger Löwenberg, Leonhard Mahlich, Jaron Löwenberg | G Minor | 5 | 6A | 155 BPM | ||
| The Seasons, Op. 67: II. Winter: Variation 2, Ice | Alexander Glazunov, Alexander Anissimov, Moscow Symphony Orchestra | F Minor | 1 | 4A | 164 BPM | ||
| My Fair Lady, Act I Scene 4: How'd Ya Like That? | Frederick Loewe, Annie Wensak, Leo Roberts, Alun Armstrong | D♭ Major | 2 | 3B | 50 BPM |