"Dans l'ombre de la montagne: V. Ronde" by Guy Ropartz, Stephanie McCallum had its release date on January 1, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Ropartz: Piano Music". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Dans l'ombre de la montagne: V. Ronde's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dans l'ombre de la montagne: V. Ronde by Guy Ropartz, Stephanie McCallum having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Premier solo | Eugène Boudreau, Pierre-Richard Aubin, Michel Bettez | G Minor | 0 | 6A | 68 BPM | ||
| Quatre poèmes d’après l’intermezzo d’Heinrich Heine: Depuis que nul rayon de tes yeux bien-aimés | Guy Ropartz, Heinrich Heine, Philippe Sly, Michael McMahon | F♯ Major | 1 | 2B | 70 BPM | ||
| Pièce en mi bémol mineur | Guy Ropartz, Guillaume Cottet-Dumoulin, Aeyoung Byun | E♭ Minor | 0 | 2A | 67 BPM | ||
| Symphony No. 2 in E Minor: IV. Finale. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | E Minor | 1 | 9A | 110 BPM | ||
| Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
| Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM | ||
| Saxophone Sonata, Op. 19: I. With vigor | Paul Creston, Donald Sinta, Nelita True | B Major | 1 | 1B | 122 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Venus, the Bringer of Peace (From The Planets, Op. 32) - Arr. For Trombone & Organ | Gustav Holst, Peter Steiner, Constanze Hochwartner | C Major | 1 | 8B | 89 BPM | ||
| Musiques au jardin: V. Le Jardin au crépuscule... | Guy Ropartz, Stephane Lemelin | C Minor | 1 | 5A | 67 BPM | ||
| Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
| Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: I. Romanze (Andante con doulo) | Carl Nielsen, Markus Becker, Albrecht Mayer | C Minor | 0 | 5A | 110 BPM | ||
| Musiques au jardin: I. Prélude matinal | Guy Ropartz, Stephane Lemelin | C Major | 1 | 8B | 95 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| 5 Bagatelles for clarinet and piano, Op. 23: 5. Fughetta - Allegro vivace | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Major | 1 | 7B | 134 BPM | ||
| Requiem, Op. 66 (version for 3 cellos and piano) | David Popper, Martin Rummel, Alexander Hülshoff, Bertin Christelbauer, Mari Kato | E♭ Major | 1 | 5B | 88 BPM | ||
| Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Concertpiece #2, Op. 12 | Vasily Brandt, Joshua Whitehouse, Joshua Whitehouse, Cornet And Trumpet, Gail Novak, Piano | F Minor | 1 | 4A | 99 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| 5 Motets: Beata Es Virgo Maria | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | D Major | 1 | 10B | 79 BPM | ||
| Violin Sonata, FP 119: Allegro con fuoco | Francis Poulenc, Graf Mourja, Alexandre Tharaud | B♭ Minor | 1 | 3A | 124 BPM | ||
| カプリオール組曲: III. Tordion | Peter Warlock, 石田組 | G Minor | 1 | 6A | 202 BPM | ||
| Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
| Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM |