Rajendra Vaishampayan's ' "Adhay 01 Shlok 01 To Shlok 27" was released on its scheduled release date, February 3, 2024. This song appears to be safe for all ages as it is not explicit. There are a total of 78 in the song's album "Sampurn Dnyaneshwari Parayan". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Adhay 01 Shlok 01 To Shlok 27 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Adhay 01 Shlok 01 To Shlok 27 by Rajendra Vaishampayan having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jai Guru Jai Jai Guru (Datta Bhajan) | Anandraj Manik Prabhu | B♭ Major | 5 | 6B | 180 BPM | ||
| Shri Krishna Stuti | Ashit Desai, Bhakti Choir | B♭ Major | 2 | 6B | 130 BPM | ||
| Kal Bhairav Ashtak | Rajendra Vaishampayan | D♭ Major | 3 | 3B | 74 BPM | ||
| Sri Rama Raksha Sthotram | Bangalore Sisters, Ajay Warriar, Ramesh Chandra | E Minor | 2 | 9A | 134 BPM | ||
| Poorva Nayasam | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 127 BPM | ||
| Saptashati Ahdyay 3 | Rajendra Vaishampayan | D♭ Major | 2 | 3B | 186 BPM | ||
| Shree Raam Jai Raam Jai Jai Raam | Rajendra Vaishampayan | D♭ Major | 4 | 3B | 101 BPM | ||
| Adhyayam, Pt. 7 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 127 BPM | ||
| Tero Naam | Self-Realization Fellowship | D♭ Major | 3 | 3B | 90 BPM | ||
| Durga Ashtottara Shatnamavali | Sriparna Chatterjee | G Major | 1 | 9B | 103 BPM | ||
| Shri Renuka Ashtak | Aarya Morajkar | A♭ Major | 6 | 4B | 82 BPM | ||
| Narayanasuktam | Govindarajan, Malola Kannan | D♭ Major | 3 | 3B | 159 BPM | ||
| Om Dum Durgaye Namaha 108 Times | Anil Nallan Chakravarthy | A♭ Major | 2 | 4B | 77 BPM | ||
| Maata, Pita, Guru, Vandan | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 78 BPM | ||
| Yaha Vidhi Mangal Aarti | Arohi Anil Agarkar, Rageshree Anil Agarkar | D♭ Major | 4 | 3B | 95 BPM | ||
| Chandrashekharaya Namah Om | Sri Sathya Sai Bhajans | A Minor | 5 | 8A | 121 BPM | ||
| Purusakutham | Malola Kannan, Govindarajan | D♭ Major | 6 | 3B | 133 BPM | ||
| Shadows | Rajendra Vaishampayan | C Major | 6 | 8B | 90 BPM | ||
| Bhagavad Gita Adhyay, Pt. 12 | Shrirang Bhave | G Minor | 2 | 6A | 141 BPM | ||
| Datta Stotra | Shrirang Bhave | E Major | 3 | 12B | 73 BPM | ||
| Prasthavik | Rajendra Vaishampayan | A Minor | 4 | 8A | 80 BPM | ||
| Shanaishchara krita Narasimha stuti | Daasoham | B Major | 4 | 1B | 91 BPM | ||
| Shri Ghorkastoddharan Kastoddharan Stotra | Sandeep Mandke Guruji | C Major | 4 | 8B | 83 BPM | ||
| Bhagavad Gita Adhyay, Pt. 14 | Shrirang Bhave | E♭ Major | 1 | 5B | 106 BPM | ||
| Jai Jai Ram Krishan Hari | Baba Maharaj Satarkar | E Minor | 6 | 9A | 144 BPM |