On December 1, 2009, the song "Belna Re Bodhani Me" was released by Kumar Deepak. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in Kumar Deepak's "Hasina" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Belna Re Bodhani Me is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Belna Re Bodhani Me by Kumar Deepak to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Maiya Kalika Bhajan ( Khushi Joshi ) | Khushi Joshi | F♯ Minor | 9 | 11A | 198 BPM | ||
| Mare Mandir Padharo Shrinathiji | Maya Deepak | A♭ Major | 5 | 4B | 170 BPM | ||
| Kahat Baade Bhairo Bhaiya | Bharat Sharma Vyas | C Minor | 8 | 5A | 143 BPM | ||
| O Mui | Rohima Begum, Nozrul Islam | F Major | 6 | 7B | 116 BPM | ||
| Dil Gaya To Gaya | Mohammed Aziz | E♭ Major | 7 | 5B | 154 BPM | ||
| Sai Baban Phone Kela | Omkar Mahadik | D♭ Major | 9 | 3B | 90 BPM | ||
| More Mann Chal Vrindavan Dham | Rajendra Vyas | D Major | 7 | 10B | 101 BPM | ||
| Dham Dham Dolkiya | Kavita Vasnik, Alka Chandrakar | A♭ Minor | 9 | 1A | 94 BPM | ||
| Jab Jab Bhatra Chadto Ge - Khortha | Kumar Deepak | G Major | 7 | 9B | 88 BPM | ||
| Malik Mharo Sanwariya | Sanjay Mittal | B Major | 7 | 1B | 80 BPM | ||
| Laad Ladavo Lala Ne | Urvashi Pandya | B♭ Minor | 7 | 3A | 82 BPM | ||
| Jete Tu Paruchhu De Re Dukha | Sricharan Mohanty | A♭ Minor | 8 | 1A | 146 BPM | ||
| Supa Supa | Shivkumar Tiwari | A♭ Minor | 8 | 1A | 174 BPM | ||
| Bajrang Baan | Nitin Mukesh | E♭ Major | 7 | 5B | 93 BPM | ||
| Naval Dulha (Parichhan) | Sharda Sinha | F♯ Major | 4 | 2B | 83 BPM | ||
| Kare Bhakta Maiya | Kumar Deepak | B♭ Minor | 8 | 3A | 145 BPM | ||
| Piya Ji Mai To Jaungi Chirawa | Kumar Deepak, Kirti Barar | B♭ Minor | 7 | 3A | 186 BPM | ||
| Jhum Jhum Ke | Alka Chandrakar | C Major | 9 | 8B | 140 BPM | ||
| Khinva Nai Mangav Main Ha | Mamta Sahu | B Minor | 9 | 10A | 147 BPM | ||
| Bankey Bihari Ki Maror Chitlan Hai Chor | Shridhay Shri Mridul krishna shastri ji maharaj | G Major | 7 | 9B | 87 BPM | ||
| Lotawa Je Kaapela (Kanyadaan) | Sharda Sinha | F Minor | 4 | 4A | 117 BPM | ||
| Shyam Tharo Naam Lage | Reshmi Sharma | D Major | 5 | 10B | 85 BPM | ||
| Baba Ki Ashaon Brahmakumaris | BK Asmita, BK Seeza | E♭ Major | 6 | 5B | 139 BPM | ||
| Sajh Dajh Baite Bherunath | Vaibhav Bagmar Balotra | A♭ Major | 8 | 4B | 140 BPM | ||
| Neel Kamal Se Nain Salone | Kumar Deepak, Karishma Chawla | G Major | 7 | 9B | 88 BPM |