Premlata, Rajkumari's ' "Beet Gaye Dukh Ke Sab Din" was released on its scheduled release date, December 31, 1950. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 10 in Dolti Naiya (Original Motion Picture Soundtrack) by Ram Prasad. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Beet Gaye Dukh Ke Sab Din is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Beet Gaye Dukh Ke Sab Din by Premlata, Rajkumari is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Main To Banke Gujariya | Hemlata, Jaspal Singh | F♯ Major | 8 | 2B | 148 BPM | ||
| Pyare Tere Pyar Mein - Nastik / Soundtrack Version | Amit Kumar, Asha Bhosle | B♭ Major | 7 | 6B | 100 BPM | ||
| Pehla Pehla Pyar Hai | Amit Kumar, Anupama | A♭ Major | 6 | 4B | 93 BPM | ||
| Jane Chaman Shola Badan | Sharda, Mohammed Rafi | D Minor | 6 | 7A | 105 BPM | ||
| Betain Na Betain Na Raina | Bhupen Hazarika, Asha Bhosle | F Major | 3 | 7B | 123 BPM | ||
| Kehna Na Tum Yeh Kisi Se | Salma Agha, Mohammed Aziz | F Minor | 7 | 4A | 134 BPM | ||
| Mere Khayalon Ki Rah Guzar Se | Anwar Hussain, Laxmikant–Pyarelal | B♭ Minor | 9 | 3A | 84 BPM | ||
| Main Samajh Gai Kahte Ho Mujhse | Premlata, Mubarak Begum | D♭ Major | 2 | 3B | 114 BPM | ||
| Kahin Pe Nigahen Kahin Pe Nishana | O. P. Nayyar, Majrooh Sultanpuri | E♭ Major | 3 | 5B | 106 BPM | ||
| Qasme Wade Pyar Wafa | Manna Dey | G Minor | 3 | 6A | 101 BPM | ||
| Goryan Wali Jeen Bhawani | Durgalal Saini, Premlata, Penny Grewal | A Minor | 4 | 8A | 80 BPM | ||
| Jab Se Door Lage | Altaf Raja | B Minor | 6 | 10A | 137 BPM | ||
| Main To Har Mod Par (Happy) | Mukesh, Naqsh Lyallpuri | F Major | 7 | 7B | 85 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Ishq Gar Hai Jurm To | Altaf Raja | A♭ Major | 5 | 4B | 168 BPM | ||
| Hath Me Jalebi Muthi Me Chana | Patasi Devi, Premlata | E♭ Major | 3 | 5B | 120 BPM | ||
| Ae Chand Sunehri Raton Ke | Premlata | B Major | 1 | 1B | 73 BPM | ||
| Pyar Kabhi Kam Nahi Karna (Female) | Madhusmita, Bappi Lahiri | F♯ Major | 7 | 2B | 78 BPM | ||
| Kya Jaanoo Sajan - Baharon Ke Sapne | Kavita Krishnamurthy, Bablu Chakravorty, R. D. Burman | C Minor | 4 | 5A | 108 BPM | ||
| Jab Jab Tu Mere Samne Aaye | Jaspal Singh | A Major | 6 | 11B | 91 BPM | ||
| Main Kya Bataun Pyar Ke Badale Mein (From "Dil Hai Betaab") | Altaf Raja, Mohammed Aziz | F Major | 7 | 7B | 95 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Deewani Deewani | Fareed Sabri, Saeed Sabri | B♭ Major | 8 | 6B | 95 BPM | ||
| Jag Mein Preet Ka Naam Bura Hai | Premlata, Satish Batra, Aziz Kashmiri | D♭ Major | 3 | 3B | 82 BPM | ||
| Mausam Mausam Lovely Mausam | Anwar Hussain, Sulakshana Pandit | E♭ Major | 5 | 5B | 113 BPM |