- BPM
- 132
- Key
- F♯ Minor
- Camelot
- 11A
Florida Suite: 4. At Night by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra Song Details
"Florida Suite: 4. At Night" by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra had its release date on November 17, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 12 in Beecham Conducts Delius by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Florida Suite: 4. At Night's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Florida Suite: 4. At Night by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -26.377 dB
- Acousticness
- 99%
- Danceability
- 16%
- Energy
- 4%
- Instrumentalness
- 95%
- Liveness
- 8%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | |
 | Florida Suite: I. Daybreak - Dance | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 100 BPM | |
 | None but the lonely heart, Op. 6, No. 6 | Pyotr Ilyich Tchaikovsky, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D♭ Major | 2 | 3B | 104 BPM | |
 | Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | |
 | Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | |
 | I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont | C Major | 4 | 8B | 112 BPM | |
 | Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | |
 | No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Major | 8 | 10B | 129 BPM | |
 | Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | |
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | |
 | Symphony No. 1, "Afro-american": Ii. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony | F Major | 0 | 7B | 55 BPM | |
 | Lyric Pieces, Book 5, Op. 54: No. 4, Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | |
 | Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | |
 | Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | |
 | Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM | |
 | 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 79 BPM | |
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | |
 | Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | |
 | Butterfly Lovers Violin Concerto: III. Adagio assai doloroso | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez, Ng Pei-Sian | D Major | 1 | 10B | 101 BPM | |
 | Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | |
 | Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | |
 | Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | |
 | Touch Her Soft Lips and Part (From "Henry V") | William Walton, John Rutter, Aurora Orchestra | D Major | 2 | 10B | 108 BPM |
- ISRC
- GBAVQ1500472
- Label
- L-M Records/RCA Records