On July 26, 2019, the song "Golden Square Bids" was released by Rael Jones. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rael Jones's "Harlots Seasons 3 (Original Series Soundtrack)" album is number 3 out of 19. Based on our statistics, Golden Square Bids's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Golden Square Bids by Rael Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| The World Has Left Us Behind | Samuel Sim | G Major | 0 | 9B | 66 BPM | ||
| If Roman Had Lived | Krzysztof A. Janczak, Leszek Możdżer | D Minor | 2 | 7A | 74 BPM | ||
| To Lead | Mark Isham | D Major | 3 | 10B | 86 BPM | ||
| The Kite - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 68 BPM | ||
| Quite Contrary | Rael Jones, Budapest Art Orchestra, Chris Cowie, Anna Wolstenholme, Camilla Pay, Nello Greco, Sara Wolstenholme, Jonathan Stone, Gary Pomeroy, Chris Murray | C Minor | 5 | 5A | 142 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Happy Day | Rael Jones | G Minor | 2 | 6A | 79 BPM | ||
| Baby Alessandra | Christophe Beck | F Major | 1 | 7B | 102 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Les retrouvailles | Philippe Rombi | D Minor | 1 | 7A | 72 BPM | ||
| Ben and Fiona | Theodore Shapiro | C Major | 1 | 8B | 140 BPM | ||
| A Perfect Dinner | Carlos Rafael Rivera | F♯ Minor | 2 | 11A | 80 BPM | ||
| What American Women Say | Christophe Beck | G Major | 1 | 9B | 110 BPM | ||
| Distant Lives (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E♭ Major | 0 | 5B | 55 BPM | ||
| Paris | Philippe Rombi | F Minor | 0 | 4A | 62 BPM | ||
| Searching for Daisy | Nicholas Britell | F Major | 3 | 7B | 203 BPM | ||
| Expansion Project | Samuel Sim | D♭ Major | 2 | 3B | 166 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Dad's Advice | William Ross | D♭ Major | 0 | 3B | 137 BPM | ||
| Bisceglia: Concerto for Trumpet and Orchestra: in None: II. Largo con alcun animato | Michelino Bisceglia, Benny Wiame, Hungarian Studio Orchestra | G Major | 1 | 9B | 111 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| The Murder at the Vicarage - Lust, Sin, Death | Dominik Scherrer | B Major | 2 | 1B | 140 BPM | ||
| On The Bench - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Steve Jones, Katalin Sarkady | C Major | 4 | 8B | 67 BPM | ||
| Où est Francine | Gabriel Yared | D Major | 0 | 10B | 104 BPM |