"The Letter" by Bernard Herrmann had its release date on January 1, 1995. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vertigo (Original Motion Picture Score) by Bernard Herrmann. The song's track number on the album is #11 out of 14 tracks. The Letter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Letter by Bernard Herrmann has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Letter being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Invocation | Wojciech Kilar | A Major | 2 | 11B | 58 BPM | ||
| Chinatown | Nicholas Payton | C Major | 3 | 8B | 99 BPM | ||
| Rocky Mountains | Wendy Carlos, Rachel Elkind | E Minor | 2 | 9A | 149 BPM | ||
| A Streetcar Named Desire: Blanche | Alex North | F Minor | 1 | 4A | 111 BPM | ||
| Mermaid | Alan Hawkshaw, Brian Bennett | G Minor | 1 | 6A | 81 BPM | ||
| Lunette | Les Baxter | D Major | 2 | 10B | 89 BPM | ||
| Preludio em si bemol menor | Hareton Salvanini | F Major | 2 | 7B | 175 BPM | ||
| Uccidere in silenzio 1 | Nora Orlandi, Stelvio Cipriani | F Major | 1 | 7B | 63 BPM | ||
| The Detectives (Interlude) | Alan Tew | F Major | 2 | 7B | 122 BPM | ||
| Ev'ry Time I Look In Your Eyes/After The Party | Carmine Coppola | A♭ Major | 3 | 4B | 113 BPM | ||
| Shore: Finale | Howard Shore, Münchner Symphoniker | D Minor | 2 | 7A | 140 BPM | ||
| A Beautiful Mine (Mad Men Theme) | David Carbonara | D Minor | 5 | 7A | 172 BPM | ||
| Méditation des enfants | Alain Goraguer | C Minor | 2 | 5A | 124 BPM | ||
| Future Markets | Jonny Greenwood | F Minor | 3 | 4A | 133 BPM | ||
| Linda | Alberto Baldan Bembo | G Major | 1 | 9B | 133 BPM | ||
| Space Station Docking - From "2001: A Space Odyssey" | Alex North | A Minor | 2 | 8A | 102 BPM | ||
| Abandoning The Wedding | Rolfe Kent | G Minor | 0 | 6A | 173 BPM | ||
| Sanjuro | Masaru Sato | D Major | 4 | 10B | 116 BPM | ||
| David | Philippe Sarde | D♭ Major | 0 | 3B | 59 BPM | ||
| Solo Theme | Syd Dale | D Minor | 1 | 7A | 79 BPM | ||
| Zorg et Betty | Gabriel Yared | G Major | 0 | 9B | 69 BPM | ||
| Sally's Death - Excerpt from Blow Out | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Love Theme From Chinatown (Main Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 40 BPM | ||
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | B♭ Major | 1 | 6B | 111 BPM | ||
| Não Podes Fugir do Teu Destino | Hareton Salvanini | F Major | 4 | 7B | 77 BPM |