The New York Renaissance Band's ' "Lavolta" was released on its scheduled release date, August 13, 2008. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 40 in Arbeau: Orchesographie by The New York Renaissance Band. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lavolta is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Lavolta by The New York Renaissance Band is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Portative organ - Madrigal (Ay schonsolato ed amoroso) | Vincenzo da Rimini, David Munrow, Early Music Consort Of London | A Minor | 0 | 8A | 103 BPM | ||
| Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
| CSM 37: Miragres Fremosos Faz Por Nos (Chasing A Dream) | The Wandering Bard, Alfonso X El Sabio, Esin Yardimli Alves Pereira, Ricardo Alves Pereira, Nina Loureiro | A♭ Minor | 5 | 1A | 146 BPM | ||
| Chiacona - ensemble edit | Francesco Corbetta, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | B Major | 1 | 1B | 120 BPM | ||
| Longways for Eight or More | John Playford, The New York Renaissance Band, Sally Logemann | C Major | 2 | 8B | 124 BPM | ||
| Vide: Et c'est assez pour m'esjouir (Instrumental Version) | Jacobus Vide, Ensemble Gilles Binchois, Dominique Vellard | A♭ Minor | 2 | 1A | 72 BPM | ||
| Eccho or Allmane | Francis Pilkington, John Marchant, Ronn McFarlane, William Simms | G Major | 1 | 9B | 120 BPM | ||
| All in a garden green | Anon, Trinity Baroque, Martin Pope, Steven Player, Julian Podger, The Forbury Consort, The Holbein Consort, Alan Crumpler | G Major | 0 | 9B | 93 BPM | ||
| Recercada primera, quarta, ottava | Diego Oritz, Margaret Little, Sylvain Bergeron | A♭ Major | 1 | 4B | 81 BPM | ||
| Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM | ||
| Branle d'Escosse | The New York Renaissance Band | D Minor | 0 | 7A | 118 BPM | ||
| Branle Double | The New York Renaissance Band | G Minor | 2 | 6A | 108 BPM | ||
| Calata ala Spagnola | Joan Ambrosio Dalza, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | B♭ Major | 2 | 6B | 115 BPM | ||
| Passe and Medio / Den iersten gaillarde | Tylman Susato, Capilla Flamenca | G Minor | 1 | 6A | 97 BPM | ||
| Passamezzo moderno: Recercada tercera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | E Major | 3 | 12B | 126 BPM | ||
| Branle de la Montarde | The New York Renaissance Band | C Major | 1 | 8B | 123 BPM | ||
| La Guerre | The New York Renaissance Band | G Major | 5 | 9B | 115 BPM | ||
| Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
| Elizabeth and Essex - Queen Elizabeth's Gaillard | Hopkinson Smith, John Dowland | A Minor | 1 | 8A | 88 BPM | ||
| Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | D♭ Minor | 0 | 12A | 42 BPM | ||
| The Lord Monk's March / Hey to the Camp | Henry Purcell, James Oswald, Les Musiciens De Saint-Julien, François Lazarevitch | D Major | 3 | 10B | 142 BPM | ||
| Lament for Frances Duthie | Celia Briar | A Minor | 0 | 8A | 95 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| Folias Gallegas (Arr. G. Herreid) | Santiago De Murcia, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
| L’Eroica | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | G Major | 3 | 9B | 117 BPM |