The Immortal Hour, Act I Scene 1: No. 11, Fair Is the Moonlight (Etain) by Rutland Boughton, Anne Dawson, Alan G. Melville, English Chamber Orchestra Song Details

"The Immortal Hour, Act I Scene 1: No. 11, Fair Is the Moonlight (Etain)" by Rutland Boughton, Anne Dawson, Alan G. Melville, English Chamber Orchestra had its release date on 1984. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 62 in the song's album "Rutland Boughton: The Immortal Hour". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The Immortal Hour, Act I Scene 1: No. 11, Fair Is the Moonlight (Etain) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Immortal Hour, Act I Scene 1: No. 11, Fair Is the Moonlight (Etain) by Rutland Boughton, Anne Dawson, Alan G. Melville, English Chamber Orchestra having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -13.376 dB
Acousticness: 96%
Danceability: 26%
Energy: 37%
Instrumentalness: 5%
Liveness: 14%
Loudness: 78%
Speechiness: 5%
Valence: 19%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lamentate: Fragile e conciliante	Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta	D♭ Major	0	3B	94 BPM
Liturgy of St. John Chrysostom for Chorus, Op. 31: I. "The Great Ektenia..."	Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia	E Minor	1	9A	91 BPM
Two Pieces: Somerset Pastorale	Rutland Boughton, Mark Baigent, Michael Jones	G Major	1	9B	123 BPM
O frondens virga (Arr. Missy Mazzoli)	Hildegard von Bingen, Emily D'Angelo, Mikayel Hakhnazaryan	E Minor	0	9A	86 BPM
Beni Mora, Op. 29, No. 1: II. Second Dance	Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones	A♭ Major	0	4B	133 BPM
A Moorside Suite: II. Nocturne (Arr. P. Lane)	Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland	A Minor	0	8A	57 BPM
General Strike	Geoffrey Burgon	D Major	1	10B	109 BPM
Theodora: Aria - As With Rosy Steps The Morn	Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket	B Major	0	1B	68 BPM
Peter Grimes, Op.33 / Prologue: Interlude I: On the beach	Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden	D Major	1	10B	87 BPM
Das Rheingold, WWV 86A: Vorspiel - Remastered 2012	Richard Wagner, Wiener Philharmoniker, Sir Georg Solti	A♭ Major	1	4B	133 BPM
Vanity Fair	Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson	F Major	0	7B	124 BPM
Adams: Nixon in China: Act I, Scene 1 - Landing of the Spirit of '76	John Adams, Edo de Waart, Orchestra of St. Luke's	F Major	4	7B	106 BPM
Symphony No. 7 in C Major, Op. 105: Adagio -	Jean Sibelius, BBC Symphony Orchestra, Serge Koussevitzky	C Major	1	8B	88 BPM
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song	Edward Elgar, Alice Coote, Sir Mark Elder, Hallé	C Minor	3	5A	133 BPM
The Immortal Hour, Act I Scene 2: No. 7, And Your Name, Fair Lord? (Etain/Eochaidh)	Rutland Boughton, English Chamber Orchestra, Anne Dawson, Alan G. Melville, David Wilson-Johnson	C Minor	1	5A	169 BPM
Lord Peter's Stable-Boy	Percy Grainger, Slovak Radio Symphony Orchestra	D Major	1	10B	78 BPM
Handel: Ombra Mai Fu	George Fenton, Paulo Abel Do Nascimento	A♭ Minor	2	1A	99 BPM
Chants d'Auvergne, Vol. 1: No. 1, La Pastoura Als Camps (the Shepherdess in the Fields)	Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus	C Minor	1	5A	98 BPM
The Immortal Hour, Act II: No. 10. Hail, Eochaidh, King of Eiré! (Midir/Eochaidh)	Rutland Boughton, Maldwyn Davies, David Wilson-Johnson, Alan G. Melville, English Chamber Orchestra	B Minor	1	10A	134 BPM
No. 6, The Cuckoo	John Rutter, The Cambridge Singers, Rachel Masters	D♭ Major	0	3B	103 BPM
IV. Lullaby for the Twins (2002 orchestral Version)	Alla Pavlova, Yaroslav Krasnikov, Leonid Makarevich, Andrey Chernishov, Aleksey Volkov, Michail Poroshin, Georgy Pleskatch, Moscow Philharmonic Orchestra, Rossen Milanov	E Major	0	12B	70 BPM
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto	Frédéric Chopin, Benjamin Grosvenor, Royal Scottish National Orchestra, Elim Chan	E Major	0	12B	61 BPM
The Immortal Hour, Act I Scene 1: No. 21, There Is No Backward Way for Such as I (Eochaidh, Dalua)	Rutland Boughton, Alan G. Melville, English Chamber Orchestra, David Wilson-Johnson, Roderick Kennedy	G Major	1	9B	65 BPM
Mahler: Das Lied von der Erde: III. Von der Jugend	Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra	B♭ Major	2	6B	72 BPM
My Own Lover	Ria Mbanefo	B♭ Major	3	6B	83 BPM