"The Immortal Hour, Act I Scene 1: No. 21, There Is No Backward Way for Such as I (Eochaidh, Dalua)" by Rutland Boughton, Alan G. Melville, English Chamber Orchestra, David Wilson-Johnson, Roderick Kennedy had its release date on 1984. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Immortal Hour, Act I Scene 1: No. 21, There Is No Backward Way for Such as I (Eochaidh, Dalua)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 62 in the song's album "Rutland Boughton: The Immortal Hour". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. The Immortal Hour, Act I Scene 1: No. 21, There Is No Backward Way for Such as I (Eochaidh, Dalua) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Immortal Hour, Act I Scene 1: No. 21, There Is No Backward Way for Such as I (Eochaidh, Dalua) by Rutland Boughton, Alan G. Melville, English Chamber Orchestra, David Wilson-Johnson, Roderick Kennedy having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Was Glad (Arr. Rutter) | Hubert Parry, Fanfare Trumpeters Of The Royal Air Force, Wing Commander Piers Morrell, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, The King’s Scholars of Westminster School, Tim Garrard, Coronation Orchestra, Antonio Pappano, Peter Holder | B♭ Major | 2 | 6B | 69 BPM | ||
| Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
| The Immortal Hour, Act II: No. 15, In the Days of the Great Fires (Midir) | Rutland Boughton, Maldwyn Davies, English Chamber Orchestra, Alan G. Melville | D♭ Major | 4 | 3B | 85 BPM | ||
| Adams: Christian Zeal and Activity | John Adams, Edo de Waart, San Francisco Symphony | E Major | 1 | 12B | 78 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| My Heart's in the Highlands (2000) | Arvo Pärt, Christopher Bowers-Broadbent, David James | F Minor | 0 | 4A | 74 BPM | ||
| The Salley Gardens | Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey | F♯ Major | 1 | 2B | 68 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
| Life In A Scotch Sittingroom 2 Episode 11 | Ivor Cutler | A♭ Major | 1 | 4B | 135 BPM | ||
| Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Benjamin Grosvenor, Royal Scottish National Orchestra, Elim Chan | E Major | 0 | 12B | 61 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
| Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
| Symphony No. 1 "Oliver Cromwell": II. Rather Slow | Rutland Boughton, BBC Concert Orchestra, Vernon Handley | A Major | 0 | 11B | 65 BPM | ||
| The Rowan Tree | Kenneth McKellar | F♯ Major | 1 | 2B | 139 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| Vespers, Op. 37: I. "Priidite, poklonimsya" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | B Major | 8 | 1B | 144 BPM | ||
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Kontakion / Funeral Song | Maurice Jarre | C Minor | 2 | 5A | 175 BPM | ||
| Lento | Howard Skempton, BBC Symphony Orchestra, Mark Wigglesworth | G Minor | 0 | 6A | 72 BPM | ||
| Let My Prayer Arise, No. 2 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | F Major | 2 | 7B | 137 BPM | ||
| Ave Maria, Op. 2, No. 2 | Edward Elgar, Jonathan Vaughn, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Major | 1 | 6B | 85 BPM | ||
| Requiem, Op. 9 (1961 version): Introit | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 1 | 7B | 104 BPM |