Rutland Boughton, Mark Baigent, Michael Jones's 'Two Pieces: Somerset Pastorale' had a release date set for December 16, 2017. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Rutland Boughton 'for Joyance'". In this album, this song's track order is #5. Based on our statistics, Two Pieces: Somerset Pastorale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Two Pieces: Somerset Pastorale by Rutland Boughton, Mark Baigent, Michael Jones having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deo Gratias, canon 36 voices | Johannes Ockeghem, Bl!ndman | B♭ Minor | 0 | 3A | 65 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Oboe Quartet No. 1: I. Allegro vivace | Rutland Boughton, Sarah Francis, The Rasumovsky Quartet | F Minor | 1 | 4A | 79 BPM | ||
| Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
| Two Pieces: Somerset Pastorale | Rutland Boughton, Mark Baigent, Michael Jones | G Major | 1 | 9B | 123 BPM | ||
| Symphony No. 1 "Oliver Cromwell": II. Rather Slow | Rutland Boughton, BBC Concert Orchestra, Vernon Handley | A Major | 0 | 11B | 65 BPM | ||
| Serse: Aria - Ombra Mai Fu | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | D Major | 0 | 10B | 113 BPM | ||
| Vespers, Op. 37: I. Come, Let Us Worship | Sergei Rachmaninoff, Valery Polyansky, The USSR Ministry of Culture Chamber Choir | B Major | 1 | 1B | 133 BPM | ||
| Magnificat | Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir | F Minor | 0 | 4A | 130 BPM | ||
| Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | E♭ Major | 1 | 5B | 134 BPM | ||
| Act 2: If It's Ever Spring Again | Rutland Boughton, The London Chorus, New London Orchestra, Ronald Corp | B♭ Minor | 1 | 3A | 80 BPM | ||
| The Immortal Hour, Act II: No. 17, But Now, Fair Lord, Tell Me the Boon You Crave (Eochaidh/Midir) | Rutland Boughton, English Chamber Orchestra, Maldwyn Davies, David Wilson-Johnson, Alan G. Melville | G Major | 1 | 9B | 65 BPM | ||
| Ad Pacem (Towards Peace) | Karl Jenkins, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | D Major | 0 | 10B | 83 BPM | ||
| Wagner: Die Meistersinger von Nürnberg: Vorspiel | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 91 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Flute Concerto in D Major: II. Adagio | Rutland Boughton, Emily Beynon, New London Orchestra, Ronald Corp | A Major | 1 | 11B | 109 BPM | ||
| Mahler: Rückert-Lieder: No. 4, Ich bin der Welt abhanden gekommen | Gustav Mahler, Janet Baker, Hallé, Sir John Barbirolli | F Major | 0 | 7B | 66 BPM | ||
| The Floral Dance | Peter Dawson | C Major | 3 | 8B | 99 BPM | ||
| Oboe Concerto in A Minor: I. Rondo Pastorale | Ralph Vaughan Williams, Nicholas Daniel, Britten Sinfonia, James MacMillan | E♭ Major | 1 | 5B | 142 BPM | ||
| Men Of Harlech | Treorchy Male Voice Choir | B♭ Major | 3 | 6B | 128 BPM | ||
| Act 1: O, The Opal And The Sapphire | Rutland Boughton, The London Chorus, New London Orchestra, Ronald Corp | F♯ Major | 2 | 2B | 166 BPM | ||
| Morton Feldman: Madame Press Died Last Week At Ninety | Morton Feldman, John Adams, Orchestra of St. Luke's | A♭ Major | 0 | 4B | 69 BPM | ||
| Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Kozlowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | ||
| Trees | Julian Lloyd Webber, John Lenehan | A Major | 1 | 11B | 65 BPM | ||
| Oboe Quartet 2: IV | Rutland Boughton, Mark Baigent, Sophie Barber, Chian Lim, Stephen Orton | D Major | 2 | 10B | 126 BPM |