Rutland Boughton, Emily Beynon, New London Orchestra, Ronald Corp's 'Flute Concerto in D Major: II. Adagio' had a release date set for October 1, 2000. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rutland Boughton: Aylesbury Games; Concerto for Strings & Other Works". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Flute Concerto in D Major: II. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto in D Major: II. Adagio by Rutland Boughton, Emily Beynon, New London Orchestra, Ronald Corp having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jerusalem (And did those feet in ancient time) | Hubert Parry, Royal Choral Society, London Philharmonic Orchestra & Sir Andrew Davis, Andrew Davis, London Philharmonic Orchestra | F Major | 2 | 7B | 88 BPM | ||
| Sailing By | Ronald Binge, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 0 | 10B | 89 BPM | ||
| 3 Folk Dances: I. Hornpipe. Rollicking, But Not Too Fast | Rutland Boughton, New London Orchestra, Ronald Corp | D Major | 1 | 10B | 99 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140 "Sleepers Awake": I. Wachet auf, ruft uns die Stimme (Arr. E. Ormandy for Orchestra) | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E♭ Major | 2 | 5B | 109 BPM | ||
| Unfailing Light-(A.Gitnik) | A.Gitnik, Monks Choir of Kiev Pechersk Monastery | A♭ Major | 2 | 4B | 82 BPM | ||
| Nunc dimittis | Geoffrey Burgon, The Choir Of Trinity College, Cambridge | A Minor | 1 | 8A | 134 BPM | ||
| Under Milk Wood: To begin at the beginning | Richard Burton | F♯ Major | 2 | 2B | 123 BPM | ||
| Song for Orchestra, Op. 33 | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Song for Athene | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 84 BPM | ||
| Let My Prayer Arise, No. 2 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | F Major | 2 | 7B | 137 BPM | ||
| He who would valiant be | Trad. English, Gloucester Cathedral Choir, Hereford Cathedral Choir, Worcester Cathedral Choir | D Major | 0 | 10B | 88 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| Requiem à 5: I. Requiem aeternam | Orlande de Lassus, Choir of Girton College, Cambridge, Historic Brass of the Guildhall, London, Lucy Morrell, Gareth Wilson | F Major | 1 | 7B | 86 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | ||
| The Immortal Hour, Act I Scene 1: No. 11, Fair Is the Moonlight (Etain) | Rutland Boughton, Anne Dawson, Alan G. Melville, English Chamber Orchestra | D♭ Major | 4 | 3B | 85 BPM | ||
| Warm Lights in December | Oldies Playing | G Major | 1 | 9B | 73 BPM | ||
| The Vagabond | John Ireland, Roderick Williams, Iain Burnside | B♭ Minor | 0 | 3A | 117 BPM | ||
| The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) | Isidore Godfrey | C Major | 2 | 8B | 122 BPM | ||
| Fancy Dress, Op. 82: Dusk: Dusk | Cecil Armstrong Gibbs, RTE Concert Orchestra, Ernest Tomlinson | G Major | 0 | 9B | 86 BPM | ||
| Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton | B Major | 2 | 1B | 80 BPM | ||
| 3 Songs Without Words for Oboe Quartet: II. Faery Flout. Allegro giocoso | Rutland Boughton, Sarah Francis, The Rasumovsky Quartet | C Major | 2 | 8B | 122 BPM | ||
| O RIADA: Mise Éire (Orchestral Suite), Luan Cásca 1816 (Roisín Dubh) | Seán Ó Riada, RTE Concert Orchestra, Robert Houlihan | G Major | 1 | 9B | 80 BPM | ||
| Adams: Nixon in China: Act I, Scene 3 - Cheers | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 3 | 7B | 102 BPM | ||
| Pastorale (Arr. for Theremin, Piano & Cello Ensemble) | Anis Fuleihan, Clara Rockmore, Dorothy Lawson, Robert Burkhardt, Mairi Dorman-Phaneuf, Sara Hewitt-Roth, Ludmila Konstantinova, Jessie Reagen, Peter Sachon, Caroline Stinson, Nadia Reisenberg | D♭ Minor | 1 | 12A | 94 BPM |