Michael Feinstein's ' "Let's Call The Whole Thing Off" was released on its scheduled release date, April 28, 1987. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Let's Call The Whole Thing Off's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Pure Gershwin". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Let's Call The Whole Thing Off is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Let's Call The Whole Thing Off by Michael Feinstein having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moonlit Promises | SANTY HERLINA | G Major | 3 | 9B | 103 BPM | ||
| The Rhythm of Life | Tony Sparta | F Minor | 7 | 4A | 193 BPM | ||
| I'm Still in the Game | Leigh Crizoe | A Major | 8 | 11B | 127 BPM | ||
| Stairway to the Stars | Kevin Mahogany | C Major | 1 | 8B | 137 BPM | ||
| Old Cape Cod | Jerry Vale | G Minor | 3 | 6A | 67 BPM | ||
| At Last | Michael Feinstein, George Shearing | B Major | 1 | 1B | 76 BPM | ||
| I Won't Send Roses | Michael Feinstein | E♭ Major | 2 | 5B | 92 BPM | ||
| If I Fell | Tony DeSare | F Major | 1 | 7B | 85 BPM | ||
| Let's Call The Whole Thing Off | Michael Feinstein | B Minor | 2 | 10A | 92 BPM | ||
| Cloudy (With a Chance of Rain) | Katherine Kostoff | D♭ Major | 2 | 3B | 113 BPM | ||
| The Teddy Bear's Picnic | Michael Feinstein | E♭ Major | 3 | 5B | 112 BPM | ||
| Just Friends / Can't We Be Friends? (Arr. for Voice, Piano, Guitar, Bass, Drums and Strings by R. Mounsey) | Kay Swift, John Klenner, Zachary Wilder, Rob Mounsey, Matt Beck, David Finck, Mark McLean | A Major | 4 | 11B | 92 BPM | ||
| I've Got The Sun In The Morning | Janet Seidel | C Major | 1 | 8B | 135 BPM | ||
| A Song You Never Said – Vintage Love | Vintage Heartbeat Radio | D Minor | 3 | 7A | 181 BPM | ||
| Without Love | Sal Valentinetti, The No Vacancy Orchestra | F Major | 3 | 7B | 175 BPM | ||
| Echoes of the Past | Eclipse Sinfónico | F Minor | 2 | 4A | 70 BPM | ||
| I Won't Send Roses - From "Mack & Mabel Original Cast Recording" | Robert Preston | C Major | 2 | 8B | 85 BPM | ||
| None But The Lonely Heart | Al Tornello | D♭ Major | 2 | 3B | 102 BPM | ||
| Do Nothing 'Til You Hear From Me | Steve Tyrell | G Minor | 3 | 6A | 100 BPM | ||
| Que Sera Sera (Whatever Will Be Will Be) | Bria Skonberg | A♭ Major | 2 | 4B | 111 BPM | ||
| Solitaire | Joey Niceforo | D♭ Major | 3 | 3B | 115 BPM | ||
| Whispers Between the Lines | Sound Of Moc | D Minor | 3 | 7A | 80 BPM | ||
| Two For The Road | Henry Mancini, Monica Mancini | A♭ Major | 2 | 4B | 126 BPM | ||
| Velvet | gizzy jazz | E♭ Major | 1 | 5B | 68 BPM | ||
| The Sweetest Sound | Judy Niemack, Kenny Barron | C Major | 1 | 8B | 82 BPM |