Eva Lind's 'Wunder Gescheh'n' had a release date set for January 1, 2003. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wunder Gescheh'n by Eva Lind. The song's track number on the album is #1 out of 17 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Wunder Gescheh'n is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wunder Gescheh'n by Eva Lind has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Wunder Gescheh'n being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Im weißen Rössl: Einmal nur... Es muß was Wunderbares sein | Ralph Benatzky, Peter Alexander, Ingeborg Hallstein, Johannes Fehring | A Major | 1 | 11B | 128 BPM | ||
| Mother Dear | Sumi Jo | G Major | 3 | 9B | 91 BPM | ||
| Die Fledermaus, Act I: Terzett. So muss allein ich bleiben (Rosalinde, Adele, Eisenstein) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Aga Mikolaj, Chen Reiss, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
| Il mondo | Eva Lind, Tobey Wilson | F Major | 7 | 7B | 53 BPM | ||
| Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) | Georges Bizet, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino | G Major | 1 | 9B | 117 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| O Isis und Osiris (Die Zauberflöte) | Gottlob Frick, Berliner Symphoniker | F Major | 2 | 7B | 86 BPM | ||
| Der Freischütz, J. 277 / Act 3: Dialogue: "Nun muß ich aber geschwind den Jungfern-kranz holen" - "Wir winden dir den Jungferndranz" | Carl Maria von Weber, Eva Lind, Ute Drechsel, Christa Hoffmann, Gisela Kaltofen, Christiane Schwarz, Staatskapelle Dresden, Sir Colin Davis | C Major | 1 | 8B | 73 BPM | ||
| Dein ist mein ganzes Herz | Franz Lehár, Ludwig Herzer, Jonathan Antoine | D♭ Major | 2 | 3B | 128 BPM | ||
| Léocadia, FP 106: No. 1, Les chemins de l'amour | Dilyana Georgieva, Galina Apostolova | D Major | 3 | 10B | 136 BPM | ||
| Sentimento | Eva Lind | D Major | 5 | 10B | 166 BPM | ||
| Dein ist mein ganzes Herz | Rudolf Schock | D♭ Major | 3 | 3B | 46 BPM | ||
| Gala Sequence | Renata Tebaldi, Vienna Philharmonic, Herbert von Karajan | G Major | 2 | 9B | 93 BPM | ||
| La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
| Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Die Zauberflöte, K. 620, Act II: O Isis und Osiris, welche Wonne! (Priester) | Wolfgang Amadeus Mozart, Bernard Haitink, André von Mattoni, Erich Kunz, Waldemar Kmentt, Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio Chorus | D♭ Major | 2 | 3B | 128 BPM | ||
| L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
| Dunkelrote Rosen | Rudolf Schock | D Major | 3 | 10B | 140 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas | C Major | 2 | 8B | 72 BPM | ||
| Die Fledermaus, Act II: Finale. Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Friedrich Haider, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln | G Major | 1 | 9B | 122 BPM |