Johann Strauss II, Friedrich Haider, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln's 'Die Fledermaus, Act II: Finale. Im Feuerstrom der Reben (Chorus)' had a release date set for February 4, 2014. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Die Fledermaus, Act II: Finale. Im Feuerstrom der Reben (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die Fledermaus, Act II: Finale. Im Feuerstrom der Reben (Chorus)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus, Act II: Finale. Im Feuerstrom der Reben (Chorus) by Johann Strauss II, Friedrich Haider, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Als flotter Geist | Rudolf Schock | D♭ Major | 1 | 3B | 80 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Auf, wach auf, mein Jüngelchen" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 1 | 5B | 96 BPM | ||
| Trinke, Liebchen (Glücklich ist, wer vergisst) | Fritz Wunderlich | G Major | 4 | 9B | 78 BPM | ||
| Così fan tutte, K. 588 / Act II: "Il core vi dono" | Wolfgang Amadeus Mozart, Adam Plachetka, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 72 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| 37. We triumph now | Arthur Sullivan, Owen Brannigan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | B♭ Major | 1 | 6B | 79 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| La bohème, Act I: Si può – Chi è là? | Giacomo Puccini, Michel Sénéchal, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 115 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
| Bizet: Carmen, WD 31, Act 2: "Votre toast, je peux vous le rendre" - "Toréador, en garde !" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Christian Van Horn, Christina Landshamer, Kostas Smoriginas, Magdalena Kožená, Rachel Frenkel, Berliner Philharmoniker | F Major | 2 | 7B | 111 BPM | ||
| Schatz-walzer, Op. 418: Der Zigeunerbaron: Schatz-walzer (Treasure Waltz), Op. 418 | Strauss Festival Orchestra, Johann Strauss II | G Major | 1 | 9B | 97 BPM | ||
| Die Fledermaus, Act II: No. 10, Czardas. Klänge der Heimat | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | ||
| Lohengrin, WWV 75 / Act III: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
| Viktoria! Der Meister soll leben! | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 80 BPM | ||
| Bizet: Carmen, WD 31, Act 4: "Carmen, un bon conseil" (Frasquita, Carmen, Mercédès) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 111 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Gounod: Roméo et Juliette, Act 1: Introduction. "L'heure s'envole" (Chœur) | Charles Gounod, Michel Plasson, Choeur Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
| 9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | ||
| Bizet: Carmen, WD 31, Act 4: "Les voici ! Voici le quadrille !" (Chœur) | Georges Bizet, Michel Plasson, La Lauzeta, Les Éléments, Orchestre National Du Capitole De Toulouse | D♭ Minor | 2 | 12A | 93 BPM | ||
| Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
| La traviata / Act 1: Sempre libera | Giuseppe Verdi, Nadine Sierra, Paolo Fanale, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | A♭ Major | 1 | 4B | 78 BPM |