"Swan Lake Theme - Instrumental" by Pyotr Ilyich Tchaikovsky, Philadelphia Orchestra, Eugene Ormandy had its release date on April 25, 1996. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Eugene Ormandy's "GREATEST HITS THE CLASSICAL JUKE BOX, VOL. I" album is number 27 out of 28. On top of that, United States appears to be the country where this track was created. In terms of popularity, Swan Lake Theme - Instrumental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Swan Lake Theme - Instrumental by Pyotr Ilyich Tchaikovsky, Philadelphia Orchestra, Eugene Ormandy to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berlioz- Symphonie Fantastique: Symphonie Fantastique: IV. March to the Scaffold | Hector Berlioz, Budapest Philharmonic Orchestra, Rico Saccani | G Minor | 2 | 6A | 78 BPM | ||
| Variations No. I, Mozart: Alla Turca (Turkish March) | Aprelstein | G Minor | 0 | 6A | 70 BPM | ||
| Roméo et Juliette, Op. 64, Acte I : Danse des chevaliers. | The New York Philharmonic Orchestra | C Major | 3 | 8B | 106 BPM | ||
| The Great Locomotive Chase | Robert W. Smith, Land of Grant Honor Band, Kenneth Will | G Minor | 3 | 6A | 139 BPM | ||
| Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | ||
| Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
| The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | ||
| Etude Op. 25 : No. 11 in A Minor | Frédéric Chopin, Sunmin Kim | A Minor | 2 | 8A | 102 BPM | ||
| La bayadère: Variation 3: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
| Chopin: Minute Waltz | Frédéric Chopin, Lang Lang | D♭ Major | 0 | 3B | 67 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
| Don Quixote: Act III: Quiteria's Variation (The Fan) | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 0 | 6B | 80 BPM | ||
| Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
| Swan Lake, Op. 20: Scene by a Lake | Pyotr Ilyich Tchaikovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 2 | 9A | 169 BPM | ||
| On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
| The Blue Danube | Johann Strauss II, David Parry, London Philharmonic Orchestra | D Major | 2 | 10B | 94 BPM | ||
| The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
| Serenade For Strings, Op.11 | Dag Wirén, Johannes Somary, English Chamber Orchestra | G Major | 3 | 9B | 135 BPM | ||
| Greensleeves | Ralph Vaughan Williams, Sir Simon Rattle, Berliner Symphoniker | C Minor | 1 | 5A | 80 BPM | ||
| Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
| Paquita: Variation 5: Allegro non troppo (by Cherepnin) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Carnival of the Animals: The Swan - Arranged for Cello and Harp by Miriam Keogh | Camille Saint-Saëns, None, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Var. 1. Andante | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | C Minor | 1 | 5A | 140 BPM |