"Greensleeves" by Ralph Vaughan Williams, Sir Simon Rattle, Berliner Symphoniker had its release date on January 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 28 in Denon 24/7: Vol. 4 by Berliner Symphoniker, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Greensleeves is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Greensleeves by Ralph Vaughan Williams, Sir Simon Rattle, Berliner Symphoniker is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Cavatina | John C. Williams | E Major | 0 | 12B | 95 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Romeo And Juliet: Love Theme | Nino Rota, PKF – Prague Philharmonia, Nick Ingman | G Minor | 1 | 6A | 81 BPM | ||
| The Ashokan Farewell | Ungar arr Perkins, Nil, Major John Perkins, John Perkins | F Major | 2 | 7B | 119 BPM | ||
| Ruslan and Lyudmila, Op. 5, Overture | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra | E Minor | 1 | 9A | 151 BPM | ||
| String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
| Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | G Major | 0 | 9B | 118 BPM | ||
| Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
| Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | ||
| Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
| Tosca, Act II: Vissi d'arte (Arr. For orchestra) | Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 78 BPM | ||
| Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
| English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
| String Quintet in E Major, G. 275: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 127 BPM | ||
| Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
| Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, John Williams, Louis Frémaux, Philharmonia Orchestra | B Minor | 1 | 10A | 111 BPM | ||
| Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Opening) | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | B♭ Major | 1 | 6B | 62 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | C Major | 2 | 8B | 99 BPM | ||
| Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): VI. Les toréadors | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 5 | 11B | 99 BPM | ||
| Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM |