Franz Liszt, David Helfgott's ' "Hungarian Rhapsody No. 2 in C sharp minor, S.244" was released on its scheduled release date, January 1, 1996. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 34 in the song's album "Shine - Original Motion Picture Soundtrack". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Hungarian Rhapsody No. 2 in C sharp minor, S.244 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Hungarian Rhapsody No. 2 in C sharp minor, S.244 by Franz Liszt, David Helfgott having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
| Gnossienne No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | E Minor | 0 | 9A | 67 BPM | ||
| Liszt: Grandes études de Paganini, S. 141: No. 3, La Campanella | Franz Liszt, Paul Ji | A♭ Minor | 3 | 1A | 96 BPM | ||
| Carmen Suite No. 2: VI. Danse Boheme | Georges Bizet, Slovak Philharmonic, Anthony Bramall | C Major | 1 | 8B | 108 BPM | ||
| 그래도 괜찮아 | Sunday Piano | B Major | 3 | 1B | 160 BPM | ||
| Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM | ||
| Debussy: Petite Suite ~ En Bateau | Anthony & Joseph Paratore | G Major | 0 | 9B | 67 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Prelude In E Minor - Chopin | Michael Charles Clark | C Major | 1 | 8B | 122 BPM | ||
| Deh, vieni alla finestra | Dawid Kimberg, Nigel Foster | D Major | 0 | 10B | 69 BPM | ||
| Consolations, S. 172: III. Lento placido | Franz Liszt, Beatrice Berrut | F♯ Minor | 3 | 11A | 112 BPM | ||
| Solfeggio in C Minor | Carl Philipp Emanuel Bach, Eugen Cicero | C Minor | 6 | 5A | 150 BPM | ||
| Saint-Saens - Danse macabre, S. 555/R. 240: Danse macabre (Arr. V. Horowitz for piano) | Franz Liszt, Valery Kuleshov | E♭ Major | 2 | 5B | 108 BPM | ||
| Nocturne No. 20 In C-Sharp Minor, Op. Posth. | Jacques Loussier | F♯ Minor | 1 | 11A | 117 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 0 | 5A | 171 BPM | ||
| Liebesleid | Fritz Kreisler, Pavel Gililov | A Major | 1 | 11B | 69 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Martha Argerich | F♯ Major | 3 | 2B | 104 BPM | ||
| Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Paavo Jarvi, Orchestre Philharmonique de Radio France | C Minor | 2 | 5A | 179 BPM | ||
| Souvenir de Porto Rico (Marcha De Los Jibaros), Op. 31, RO 250 | Louis Moreau Gottschalk, Simon Ghraichy | E♭ Minor | 2 | 2A | 101 BPM | ||
| Liszt: Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244 No. 2 | Franz Liszt, György Cziffra | D♭ Major | 3 | 3B | 98 BPM | ||
| Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Aldo Ciccolini | G Major | 0 | 9B | 81 BPM | ||
| Three Preludes: II. Andante con moto e poco rubato in C Sharp Minor | George Gershwin, Frank Braley | F♯ Major | 0 | 2B | 70 BPM | ||
| Gnossiene No. 1 | dom pub, Chantal De Buchy | B♭ Major | 6 | 6B | 127 BPM | ||
| Did He Win? | David Hirschfelder, David Helfgott, Orchestra, Ricky Edwards | A♭ Minor | 2 | 1A | 137 BPM |