Rota, Adam Belko, Jeff Hanewinkel, Tony Barcinas's ' "Waves Break" was released on its scheduled release date, July 15, 2011. Waves Break is explicit and may not be suitable for children. With the duration being about 4:04, this song is close to the average duration of a typical track. The song is number 6 out of 7 in E.P by Rota. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Waves Break is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Waves Break by Rota, Adam Belko, Jeff Hanewinkel, Tony Barcinas is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suo Gan | Izzy, Ernö Olah, National Radio Orchestra of The Netherlands | F Major | 1 | 7B | 67 BPM | ||
| Rinaldo, HWV 7a: Cara sposa (Air de Rinaldo) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 116 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
| Cantami | Anna Netrebko, Yusif Eyvazov, Session Orchestra London, Ben Foster | A♭ Major | 6 | 4B | 85 BPM | ||
| A Yaung Saung Ma Lay | Rota, MC Phyo | A♭ Major | 7 | 4B | 138 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| 4 Lieder, Op. 27, TrV 170: No. 4, Morgen | Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | E Major | 0 | 12B | 154 BPM | ||
| Un Sospir' Di Voi | Emma Shapplin | F Minor | 7 | 4A | 89 BPM | ||
| Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 135 BPM | ||
| Concerto pour elle | Saint-Preux | E Minor | 3 | 9A | 81 BPM | ||
| Modigliani | Guy Farley | G Minor | 3 | 6A | 101 BPM | ||
| Mon Coer S'ouvre a Ta Voix - Camille Saint Saëns/F. Lemaire | Guadalupe Pineda | D♭ Major | 3 | 3B | 63 BPM | ||
| Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
| L'Amore è un Attimo | Jay Dref, Angelica Volpi | D Major | 5 | 10B | 67 BPM | ||
| Rusalka, Op. 114, B. 203, Act I: Mesícku na nebi hlubokém ("Song to the Moon") | Antonín Dvořák, Frederica von Stade, Seiji Ozawa, Boston Symphony Orchestra | F♯ Major | 1 | 2B | 93 BPM | ||
| Adriana Lecouvreur, Act I: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | ||
| La prima luce (In The Morning Light) | Yanni, Rolando Villazón | A Major | 4 | 11B | 71 BPM | ||
| Ombre sulla Laguna | FPF Project, Francesco Paolo Filosa | D Minor | 2 | 7A | 149 BPM | ||
| Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
| Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 82 BPM | ||
| Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
| Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt' eine Vilja, ein Waldmägdelein" (Hanna) | Franz Lehár, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra | G Major | 1 | 9B | 176 BPM | ||
| Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
| Nessum Dorma | Jorge Castro | D Major | 4 | 10B | 84 BPM |