"Embrace Your Wretchedness" by Rael Jones had its release date on 2018. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Embrace Your Wretchedness's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rael Jones's "Harlots: Seasons 2 (Original Series Soundtrack)" album is number 9 out of 27. Based on our statistics, Embrace Your Wretchedness's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Embrace Your Wretchedness by Rael Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Within A Day | Craig Armstrong | E Major | 1 | 12B | 156 BPM | ||
| Will He Come | Harry Gregson-Williams, Rupert Gregson-Williams | E Minor | 3 | 9A | 132 BPM | ||
| A Thousand Apologies | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Overture | Aaron Zigman | A♭ Major | 1 | 4B | 103 BPM | ||
| My Own Story | Christopher Willis | A Minor | 4 | 8A | 134 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| Long Walk Home | Kris Bowers | A♭ Minor | 3 | 1A | 180 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| Noon Without Direction | Roven Sil | A♭ Minor | 3 | 1A | 180 BPM | ||
| This City Is Ours | Rael Jones | G Major | 2 | 9B | 70 BPM | ||
| Am I Your Girlfriend Now? - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | G Minor | 1 | 6A | 70 BPM | ||
| Main Titles | Alex Heffes | D Minor | 1 | 7A | 110 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| Mad | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 88 BPM | ||
| A Ball | Samuel Sim | E Minor | 1 | 9A | 65 BPM | ||
| The Four Houses | J Scott Rakozy, Hogwarts Legacy | C Major | 1 | 8B | 75 BPM | ||
| Betty | Terry Davies, Betty O'Barley, Harry O'Hay | E Major | 1 | 12B | 102 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| Ray of Sunshine | Torin Borrowdale | E♭ Major | 0 | 5B | 92 BPM | ||
| Brideshead Revisited: No. 15, Contra Mundum | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| No Regrets | Ari Posner, Amin Bhatia | G Major | 1 | 9B | 84 BPM | ||
| It's No Longer For Sale | Hannes De Maeyer | E Minor | 2 | 9A | 110 BPM |