"III. The Coolin" by Samuel Barber, Texas Tech University Choir, Clinton Barrick, Richard Bjella had its release date on November 6, 2012. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 2012 Texas Music Educators Association (TMEA): Texas Tech University Choir (Mirrored Messages), so we believe that "III. The Coolin" is a single. III. The Coolin is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. The Coolin by Samuel Barber, Texas Tech University Choir, Clinton Barrick, Richard Bjella is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher Pekinel | E♭ Major | 1 | 5B | 82 BPM | ||
| Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
| Famous Blue Raincoat (Arr. Metcalfe, Foster) | Miloš Karadaglić, 12 Ensemble, Katherine Tinker | A Minor | 1 | 8A | 76 BPM | ||
| Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
| On The Nature Of Daylight - Orchestra Version | Max Richter, Baltic Sea Philharmonic, Kristjan Järvi | D♭ Major | 1 | 3B | 69 BPM | ||
| The Moldau (Vltava), JB 1:112/2 | Bedřich Smetana, Leopold Stokowski | G Major | 2 | 9B | 98 BPM | ||
| 3 Gymnopedies (Orch. Debussy): Gymnopedie No. 2 | Erik Satie, CSR Symphony Orchestra, Bratislava, Ondrej Lenard | D Major | 1 | 10B | 88 BPM | ||
| "Come in!": 2nd mvt. | Vladimir Martynov, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Major | 2 | 11B | 141 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Minor | 1 | 7A | 147 BPM | ||
| Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | ||
| Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 78 BPM | ||
| Gymnopédie No. 3 | Erik Satie, Philippe Entremont | A Minor | 0 | 8A | 131 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
| Summer 2 - 2012 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 85 BPM | ||
| Yumeji's Theme - From "In The Mood For Love" | Shigeru Umebayashi, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 99 BPM | ||
| Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt] | Samuel Barber, Edward Higginbottom, Choir of New College, Oxford | B♭ Minor | 1 | 3A | 133 BPM |