"交響組曲 「日本スケッチ」 1. 市場" by 貴志康一, Kazuhiro Morita, Michiyoshi Inoue, 大阪市音楽団 had its release date on 2006. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. There is only one song in ギルガメシュ, so we believe that "交響組曲 「日本スケッチ」 1. 市場" is a single. 交響組曲 「日本スケッチ」 1. 市場 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 交響組曲 「日本スケッチ」 1. 市場 by 貴志康一, Kazuhiro Morita, Michiyoshi Inoue, 大阪市音楽団 is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romeo and Juliet, Op. 64, Act I: No. 15, Mercutio | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | G Major | 3 | 9B | 91 BPM | ||
| Wine-Dark Sea: II. Immortal Thread, So Weak | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 0 | 8B | 135 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | G Major | 3 | 9B | 91 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 3 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIII. Catacombae "Sepulcrum romanum" - Cum mortuis in lingua mortua | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | G Major | 3 | 9B | 91 BPM | ||
| Arutiunian: Trumpet Concerto: I | Alexander Arutiunian, Gert Skovlod Hattesen, Christian Lindberg, Prince of Denmark Air Force Band | E♭ Major | 0 | 5B | 66 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 17, Tybalt Recognizes Romeo | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | G Major | 3 | 9B | 91 BPM | ||
| 交響組曲 「日本スケッチ」 2. 夜曲 | 貴志康一, Kazuhiro Morita, Michiyoshi Inoue, 大阪市音楽団 | F Major | 6 | 7B | 79 BPM | ||
| Andante et allegretto | Guillaume Balay, Ryan Gardner, Charity Wicks | E Major | 1 | 12B | 102 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 5, The Quarrel | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | G Major | 3 | 9B | 91 BPM | ||
| Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
| World Concerto: III. Allegretto | Ben van Dijk, The Amsterdam Staff Band of the Salvation Army | F Major | 2 | 7B | 152 BPM | ||
| Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM | ||
| English Dances, Set 2, Op. 33: No. 3. Grazioso | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | A Minor | 0 | 8A | 118 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Strauss, R: Ein Heldenleben, Op. 40: V. Des Helden Friedenswerke | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker, Guy Braunstein | D Major | 1 | 10B | 87 BPM | ||
| Pulcinella Suite: VIII. Minuetto—Finale - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Garland of Sonnets, Op. 44: No. 3, Moderato con moto | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Major | 1 | 7B | 131 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | G Major | 3 | 9B | 91 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| Brian: Symphony No. 7 in C Major: II. Allegro maestoso ma moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | G Major | 3 | 9B | 91 BPM | ||
| Stravinsky: Le Chant du rossignol: II. Marche chinoise | Igor Stravinsky, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste | C Major | 1 | 8B | 145 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM |